Tough yarns, vol. 1 (of 2) — Story, Setting & Ideas
Edition facts
This digital edition of Tough yarns, vol. 1 (of 2) — Story, Setting & Ideas is described by source-level measurements including 44,078 words, 3 hr 12 min estimated reading time, and 7 detected text sections.
The text analysis averages about 27.3 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Seafaring life -- Fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
ghted up with animation; it called to his remembrance scenes in which he had shared the glory of the day and saved his country. His eye sparkled with delight, as if he again saw the British ensign floating in the breeze as the proud signal for conquest; or was labouring at the oar with his darling chief, like a tutelar deity of old, guiding the boat through the yielding element, and leading on to some daring and desperate enterprise.
“I don’t like the picture,” said I; “the perspective is bad, and the ship is too long and flat; besides the colour is unnatural.”
“Why, as for the matter of the _prospective_, sir,” replied the veteran, “that’s just what his present Majesty, God bless him! obsarved when he came to look at it; and for the colour, says the king, says he, ‘why the painter must have thought he’d been cooking, for he’s shoved the Victory into the hottest of the fire and done her brown;’ it was too bad, your honour, to singe her in that ’ere fashion, like a _goose_. Mayhap, your honour arn’t seen them there paintings of the battle at a place they call Exeter Hall, in the Strand. Now they are some-ut ship-shape, and the _heat_ of the engagement _warms_ a fellow’s heart to look at. An ould tar of the name of Huggins painted ’em, and I’m sure it’s right enough, for he’s made the Victory _hugging_ the enemy just as a bear would a baby. I could stand and look at them pictures for hours, till I fancied myself once more in the midst of it, measuring out fathoms of smoke and giving ’em full weight of metal. The Victory has just fell aboard the French Redhotable and the Golision, as they calls it, gives each of ’em a _lust_ different ways that looked so natural-like, that I felt myself getting a heel to port in the ould Victory as I looked at her. Then there’s the gale o’wind arter the battle; why, blow my ould wig, but you may feel the breeze and shake yourself from the spray. God bless his Majesty!--for they are the king’s, your honour;--long may he live to view ’em, and long may Huggins _hug_ to windward under royal favour! I went to see him,--not the king, your honour, but Muster Huggins, and when he found I was ‘the Old Sailor,’ what gave some account of the life of a man-of-war’s man in ‘Greenwich Hospital,’ he whips out his old quid, flings it into the fire, and we sported a fresh bit o’bacca on the strength of it.--That was a welcome worthy a great man, and he could’nt ha’ done more for the king, though I arn’t quite sure that his Majesty does chaw his pig-tail.”
There certainly was ample scope for the remarks of my old friend, and I could not but consider the picture a complete failure. “And so you were at Trafalgar,” said I.
“Ay, and a glorious day it was, too, for Old England,” replied the tar. “Never shall I forget the enthusiasm which animated every breast, as we bore down to engage; it was indeed a noble sight, and so your honour would have said, if you had but have seen the winged giants of the deep as they marched majestically before the breeze, all ready to hurl their thunders at the foe. But the best scenes were at the quarters, where the bold captains of each gun stood cool and undaunted, waiting for the word: but for the matter o’ that, every soul, fore and aft, seemed to be actuated by one and the same spirit. ‘Look there, Ben,’ said Sam Windsail, pointing out of the port-hole at the Royal Sovereign, just entering into action, ‘look there, my Briton; see how she moves along, like a Phœnix in the midst of fire,--there’s a sight would do any body’s heart good. I’d bet my grog, (and that’s the _lick-sir_ of life) I say I’d bet my grog agen a marine’s button, that old Colly’s having a desperate bowse at his breeches; he’s clapping on a taut hand, I’ll be bound for him.’ Just then the Sovereign hauled up a little, and opened her fire. ‘Didn’t I say so,’ continued Sam; ‘look at that! my eyes but he makes ’em sheer agen! Well behaved my sons of thunder! The old gemman knows the French are fond of dancing, so he’s giving them a few _balls_ and _routs_! Ay, ay, we shall be at it presently, never fear; our old chap arn’t the boy to be long idle, but then, d’ye mind, he never does things by _halves_; so he loves close _quarters_, and as he is rather _near_ with his cartridges, why he doesn’t like to throw a shot away. Howsomever, he’ll go it directly, like a doctor’s written orders,--this powder and these pills to be taken immediately,--eh, Ben? Next comes funny-section, or flay-bottomy, as the surgeons call it:--my eyes, there goes old Colly’s breeches agen, he’ll make a breach in the enemy’s line directly; ay, he’s a right arnest sallymander.’ By this time, your honour, we’d got within gun-shot, and the enemy opened a tremendous fire upon the leading ships of our division, which played up old Scratch upon the fokstle, poop, and main-deck; for as we bore down nearly stem on, and there was but a light breeze, they raked us fore and aft.
“But I should have told you, sir, that just before going into action, the admiral walked round the quarters attended by the captain and, I thinks, Mr. Quillem, the first leftenant, but I won’t be sure. The gunner, Mr. Rivers, was along with ’em, I know, and a worthy old gemman he was; his son, a midshipman, was stationed on the same deck with us,--a fine spirited youth, with his light hair flowing about his ears and his little laughing eyes,--up to all manner of mischief. Well, round they came, and the hero seemed proud of his men; he stopped occasionally to speak to one and to another, and his keen eye saw in a moment if any thing wasn’t ship-shape. His countenance was rather stern, but there was a look of confidence that told us at once the day was our own;--nay, for the matter o’ that, Sam Windsail began to reckon what he should buy for Poll with his prize-money.
“When they reached the quarters where young Rivers was stationed, Nelson looked at the son and then at the father, as much as to say, ‘he’s a fine youth, you ought to be proud of him,’ as no doubt the old gemman was, for he knew his gallant boy would do his duty. But still the tender solicitude of a parent’s heart is not to be repressed, however it may be concealed; and as he followed the admiral, his head was frequently turned back to take another look at his child, and perhaps he thought ‘mayhap it may be the last.’ Well, as I was saying before, the enemy’s balls began to rattle into us like hail-stones through a gooseberry bush, and many a poor fellow was laid low. ‘Arrah, bad manners to ’em, what do they mane by that?’ cried Tim Doyle, as a whole shoal of shot travelled in one another’s wake, and swept the entire range of the deck. ‘Come, don’t be skulking down there, Jack Noggin,’ continued Tim, ‘but lay hoult of the tackle-fall.’ Jack never moved. ‘Och bother, don’t you mane to get up?’ But poor Jack’s glass was run, his cable was parted; so we launched his hull out at the port, stock and fluke.
“Mayhap you never saw a battle, sir. It is no child’s play, take my word for it. But the worst time is just before engaging, when silence reigns fore and aft, and a poor fellow douses his jacket without knowing whether he shall ever clap his rigging on agen. Then it is that home with all its sweet remembrances clings round the heart. Parents, or wife, or children, become doubly dear, and the fond ties of kindred are linked by stronger bonds. Howsomever, as soon as the first shot is fired, and we get within a sort of shake-hands distance of the enemy, every other thought gives way to a steady discharge of duty.
“Well, d’ye see, close upon our quarter came the Trimmer-rare, 98, and as we hauled up a little, we brought our larboard broadside to bear upon the great Spanish four-decker;--there, that’s she in the picture showing her galleries, just by the Victory’s starn:--so we brought our broadside to bear, and oh, if you had but have seen the eager looks of the men as they pointed their guns, determined to make every shot tell,--and a famous mark she was, too, looming out of the water like Beachy-head in a fog. ‘Stand by,’ says Sam Windsail, looking along the sight with the match in his hand; ‘stand by, my boy; so, so,--elevate her breech a bit,--that will do. Now, then, for the Santizzy-mama-Trinny-daddy, and I lay my life I knock day-light through his ribs. Fire!’ and the barking irons gave mouth with all their thunder. A few minutes afterward, and slap we poured another raking broadside into the Spaniard, and then fell aboard a French seventy-four.
“Well, there, d’ye see, we lay, rubbing together with the muzzles of the lower deckers touching one another. When our guns were run in for loading, the ports were instantly occupied by the small-arm men, and several attempts were made to board the enemy. At this time one of the Frenchmen kept thrusting at us with a boarding-pike, and pricked Tim Doyle in the face. ‘Och, the divil’s cure to you,’ bawled Tim; ‘what do you mane by poking at me in that way. A joke’s a joke, but poking a stick in a fellow’s eye is no joke, any how; be aisey then, darlint, and mind your civility.’ As soon as we had fired, in came the pike agen, and Tim got another taste of it. ‘Och bother,’ said Tim, ‘if that’s your tratement of a neighbour, the divil wouldn’t live next door to yes! But faith, I’ll make you come out o’ that, and may be you’ll be after just paying me a visit.’ So he catches hold of a boat-hook that was triced up in a-midships, and watching his opportunity, he hooked Johnny Crapeau by the collar and lugged him out of one port-hole in at the other, without allowing him time to bid his shipmates good-by. ‘Is it me you’d be poking at, ye blackguard?’ said Tim, giving him a thump with his fist. ‘Is it Tim ye wanted to spit like a cock-sparrow or a tom-tit? Arrah, swate bad luck to yes,--sit down and make yer life aisey; by the powers there’ll be a pair o’ ye presently.’ But Tim was disappointed, for they let down the lower deck ports for fear we should board them through the port-holes.
“Soon after, both ships dropped aboard the Trimmer-rare; and then we ploughed up the Frenchman’s decks with our shot, whilst she lay grinding and groaning in betwixt us. It was just now that young Rivers was struck, and his leg knocked away; but his spirit remained unsubdued, and as they took him down to the cock-pit, he cheered with all his might, and shortly after the hero himself was conveyed below. At first, the news of his being wounded seemed to stagnate all hands, and each stood looking at the other in fearful anxiety; but in a few minutes, resolution again returned, the shots were rammed home with redoubled strength, though at times the men would struggle with their feelings, and give vent to their grief and indignation. At every opportunity inquiries were made, and when the news of his death reached our quarters,--‘He’s gone!’ said Sam, ‘his anchor’s a-weigh, and the blessed spirits are towing him to immortality.’
“But who is there, your honour, that remembers Nelson now? Even the car that carried his body to its last moorings has been broken up as useless lumber, though I did hear that a gemman offered two thousand guineas for it. Some parts are down in the store-rooms, and some has been burnt for fire-wood. There’s his picture and his statue to be sure, but I think they should have spared the car. Nelson was strict to his duty, and made all hands perform theirs; and when he punished one man, it was that he might not have to punish twenty, and every soul fore and aft knew what they had to do. The brave, the generous, the humane Collingwood too,--there’s his picture, your honour, he is almost forgotten. Collingwood detested flogging; and when any captain came to him with a complaint of being short-handed through desertion, he would stand and hitch up his breeches, saying, ‘Use your men better, sir; use your men better, and then they wouldn’t leave you. My men, sir, never run; because they know they cannot get better treatment elsewhere.’ He was also an avowed enemy to impressment, being well convinced that the British navy might be manned with volunteers, if Jack’s peculiarities were only managed with kindness. But they are gone, sir, they are gone, and their authority is over; yet there are a few rough knots who can remember them,--ay, and cherish the remembrance in their hearts.
“Mr. Rivers is still living,--and there he is, your honour,” said the veteran, pointing to an active man in lieutenant’s uniform, who flourished his wooden pin as he descended the stone steps; “there he is, for he’s now lieutenant of the college, and has a fine family just over the way there in the square. They ought to have made him a commander, at any rate, for I’ve seen him unbuckle his wooden leg and go aloft as quick as any topman in the ship; and there was but few could beat him at dancing, for it was quite delightful to see how he handled his timber support, and how the ladies and gemmen sheered out of his way for fear of their toes. Ah, there he goes agen, all life and spirit,--spinning his tough yarns and cracking his jokes, as full of fun as ever;--he’s much prized by the governors, because he takes all the trouble off their hands.”
“Is the portrait of Nelson considered a good likeness?” I inquired.
“My sight gets rather dim, sir,” replied the veteran; “but before they put it up, when I could see it closer, I did not think it very like. Lord Collingwood’s is by far the best.”
At this moment I felt somewhat of a mischievous inclination to try the old man’s temper, and therefore remarked, “Ay, he looks stern and scowling. Nelson was a brave man, no doubt, but then he was tyrannical and cruel.”
The hoary tar turned round and stared me full in the face: a storm was gathering in his heart, or rather, like a vessel taken aback in a sudden squall, he stood perplexed as to which tack he should stand on. But it was only for a moment, and as his features relaxed their sternness he replied, “No matter, your honour,--no matter. You have been generous and kind, and I’m no dog to bite the hand that deals out bounty.”
This seemed to be uttered with the mingling emotions of defiance and melancholy, and to urge him further, I continued,--“But, my friend, what can you say of the treatment poor Caraccioli experienced? You remember that, I suppose?”
“I do, indeed,” he replied. “Poor old man! how earnestly he pleaded for the few short days which nature at the utmost would have allowed him! But, sir,” added he, grasping my arm, “do you know what it is to have a fiend at the helm, who when Humanity cries ‘port!’ will clap it hard a-starboard in spite of you?--one who in loveliness and fascination is like an angel of light, but whose heart resembles an infernal machine, ready to explode whenever passion touches the secret spring of vengeance?”
I had merely put the question to him by way of joke, little expecting the result; but I had to listen to a tale of horror. “You give a pretty picture, truly, old friend,” said I; “and pray who may this fiend be?”
“A woman, your honour,--one full of smiles and sweetness; but she could gaze with indifference on a deed of blood, and exult over the victim her perfidy betrayed. It is a long story, sir, but I must tell it you that you may not think Nelson was cruel or unjust. His generous heart was deceived, and brought a stain upon the British flag, which he afterwards washed out with his blood. Obedience is the test of a seaman’s duty--to reverence his king, and to fight for his country. This I have done, and therefore speak without fear, though I know nothing of parliaments and politics.
“Well, your honour, it was at the time when there was a mutiny among the people at Naples, and Prince Caraccioli was compelled to join one of the parties against the court; but afterwards a sort of amnesty, or _damnification_ I think they call it, was passed by way of pardon to the rebels, many of whom surrendered, but they were all made prisoners and numbers of them were executed.
“Well, one day I was standing at the gangway getting the barge’s sails ready, when a shore-boat came alongside full of people, who were making a terrible noise. At last they brought a venerable old man up the side; he was dressed as a peasant, and his arms were pinioned so tight behind that he seemed to be suffering considerable pain. As soon as they had all reached the deck, the rabble gathered round him, some cursing, others buffeting, and one wretch, unmindful of his gray hairs, spat upon him. This was too much to see and not to speak about; the man was their prisoner and they had him secure,--the very nature of his situation should have been sufficient protection; so I gave the unmannerly fellow a tap with this little fist,” holding up a hand like a sledge-hammer, “and sent him flying into the boat again without the aid of a rope. ‘Well done, Ben!’ exclaimed a young midshipman, who is now a post-captain; ‘Well done, my boy, I owe you a glass of grog for that; it was the best summerset I ever saw in my life.’ ‘Thank you for your _glass_ o’grog, sir,’ said I, ‘you see I’ve made a _tumbler_ already;’ and indeed, your honour, he spun head over heels astonishingly clever. I was brought up to the quarter-deck for it, to be sure, because they said I had used the _why-hit-armis_; but I soon convinced them I had only used my fist, and the young officer who saw the transaction stood my friend, and so I got off.
“Well, there stood the old man as firm as the rock of Gibraltar; not a single feature betraying the anguish he must have felt. His face was turned away from the quarter-deck, and his head was uncovered in the presence of his enemies. The Neapolitans still kept up an incessant din, which brought the first-lieutenant to the gang-way; he advanced behind the prisoner, and pushing aside the abusive rabble, swore at them pretty fiercely for their inhumanity, although at the same time seizing the old man roughly, he brought him in his front. ‘What traitor have we here?’ exclaimed the lieutenant; but checking himself on viewing the mild countenance of the prisoner, he gazed more intently upon him. ‘Eh, no!--it surely cannot be:--and yet it is!’--his hat was instantly removed with every token of respect, as he continued--‘it is the prince!’
Barker opens with a lyrical description of Greenwich Hospital as 'the grand depository of human fragments,' immediately establishing a contrast between the picturesque calm of the terrace and the maimed veterans who inhabit it. The narrator, speaking as 'The Old Sailor,' frames the tales as oral performances, with a listener interrupting a pensioner's story about rats taking over a cutter. The dialogue is thick with nautical slang—'weather-roll,' 'lee-lurch,' 'tremblification'—and the humor depends on the tension between the supernatural premise (rats hoisting sails) and the matter-of-fact delivery of the old tar.
The Frame and the Voice
The volume is structured as a series of tales told by and about Greenwich pensioners, with the narrator acting as a genial interlocutor. The opening sketch, 'Greenwich Hospital,' sets the scene: the veterans are 'critics too, deep critics,' who disdain steam vessels and cling to the age of sail. Barker’s prose shifts between elevated description—'nature’s pencil intermingling light and shade'—and the colloquial banter of the old sailors. The listener’s interruptions ('That’s half a pun, old boy') keep the yarns from becoming monologues, and the old man’s testy corrections ('I have not got to that yet, sir') reveal a performative pride in his storytelling.
Rats, Smugglers, and Ambiguity
The excerpted tale hinges on a supernatural event: rats that behave like a crew, with a 'rat bigger than all the rest' giving orders at the tiller. The skipper’s terror is described in vivid similes—'his teeth chattered like the palls of a windlass'—but the story is undercut by the listener’s puns ('rat tan,' 'rat-pie') and the old man’s insistence on its literal truth. When a smuggling explanation is offered, the pensioner dismisses it: 'how could the smuggler get through the great gates?' The ambiguity is never resolved; the yarn remains a yarn, valued for its entertainment rather than its veracity. Barker leaves the reader to decide whether the rats were real, a dream, or a cover story.
Nautical Language as Character
Barker’s dialogue is dense with technical seafaring terms—'running bowsprits,' 'head-rope,' 'quarter-rope'—but these are not used for authenticity alone. The old sailor’s speech is a performance of expertise, and his corrections of the listener’s slang ('No, sir; he catches hold of a handspik') reinforce his authority. The humor often arises from the collision of registers: the listener’s literary wit ('rat ifies her promise') versus the pensioner’s concrete, physical descriptions. The phrase 'thorough-bred seaman is one of the drollest compounds' suggests that Barker is as interested in the character of the storyteller as in the story itself.
Readers should approach Tough Yarns as a collection of performed tales, not a novel. Pay attention to who is speaking and how the listener shapes the narrative. The tension between the supernatural and the mundane, the old and the new, and the expert and the amateur is the engine of these sketches. Barker’s dedication to Captain Marryatt signals his place in a tradition of naval fiction, but his focus on the pensioners’ voices gives the volume a distinctive, colloquial energy.
There’s a certain comfort in how Tough Yarns, Vol. 1 settles into the salt-stained quiet of its Greenwich pensioners, each tale a worn hand smoothing a familiar rope. That quiet kinship lingers in The Mountain of Fears — Themes and Context, where fear isn’t shouted but folded into the landscape. Both books keep their secrets close, like old friends who need no words.
There are no reviews for this eBook.
Before you leave, reflect on the book
Use these questions to collect your thoughts before moving on.