The Cruise of the Midge (Vol. 2 of 2) — Story, Setting & Ideas
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For The Cruise of the Midge (Vol. 2 of 2) — Story, Setting & Ideas, the stored edition analysis reports 124,013 words, 9 hr estimated reading time, and 10 detected text sections.
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A HAIRBREADTH ESCAPE.
I must either have been weaker, or the opiate stronger than the doctor expected, for it was near midnight before I awoke. Although still very low and faint, I felt much refreshed and invigorated. For some time I lay enjoying the coolness of the night air, and listening to the chirping of the crickets, in the crevices of the lofty roof. There was not the smallest noise besides to be heard in the house, and every thing without was equally still. At my bedside, on the right hand, there stood a small old-fashioned ebony table, inlaid with mother-of-pearl, with several phials, a bottle of wine, and glasses on it, an open book, the leaves kept down on one side by a most enticing uncut pine-apple, and a large brown wax candle, burning dimly in its tall massive silver candlestick. A chair of the same substance and antique character, and richly carved, was set beside this table, over the high perpendicular back of which hung a seaman's jacket, and a black silk neckerchief, as if the wearer had recently been reading beside me, and very possibly watching me. I listened--all continued silent; and I turned, but still with great pain, towards the open window or balcony that projected into and overhung the neighbouring thoroughfare. The moonlight streamed through the casement, and, with a sensation of ineffable pleasure, I gloated on the bright stars beyond, deep set into the dark blue sky, while the cool night breeze, charged with the odour of the pine-apple, breathed gently, and oh! how passing sweetly, on my feverish temples!
From the pain experienced in moving, I only turned half-round, and therefore lay in a position that prevented my seeing more than the upper part of the large window; but I gradually slewed myself, so as to lie more on my side. "Heaven and earth, there he is again!" My heart fluttered and beat audibly. My breathing became impeded and irregular, and large drops of ice-cold perspiration burst from my forehead and face; for _there_, with his head leaning on his hand, his arm resting on the window sill, and motionless as the timber on which he reclined, his beautiful features upturned towards the pale cold moon, and full in the stream of her mild effulgence, sat the apparition of young Henry De Walden! I tried to speak, but my breath failed, and a sudden giddiness came over me. "I am gone at last," thought I. "I know what his coming twice betokens--Henry, I will soon be with you!"
I had fainted away. When I again opened my eyes, I was so dizzy and confused, that I did not know where I was. My wound was giving me great pain, and I turned with difficulty on my other side, towards where the table stood. Believing that I was fast dying, and that I should soon be "a thing immortal as itself," I did not even start when I saw the same figure, whose appearance had so agitated me before, now seated at the table, apparently reading. "The third time," thought I--"it should be so--it should be so--Heaven receive my repentant soul!"
At this moment the door opened, and some one, dressed like a seaman, slid into the room. As he approached the table, the apparition of the young midshipman slowly lifted its head, and peered into the darkness. From the dimness of the taper it appeared unable to make out what approached, for the ghost now took up the snuffers, and snuffed the candle as scientifically as if it had once inhabited the tallow-tainted carcass of a scene-shifter.
"Confound these old-fashioned snuffers, the spring is broken!"
My eyes opened at this, wider, I believe, than they had ever done before, and my ears tingled. "What a speech from an inhabitant of the other world!" thought I.
"Oh! is it you, Joe Peak?" quoth the handsome spectre; "why do you steal in and startle one so, you little villain? Hush--off with these heavy shoes of yours, and come and sit down, will ye?"
Master Joey, who, I knew, was in the body as yet at any rate, now came forward into the light, and drawing a chair, sat down fronting the apparition.
"Well, Henry, my lad, how is master Benjamin--better?"
"A good deal--if that old French medico has not poisoned him outright with laudanum. He has slept since twelve at noon--and what's the hour now, Joey?"
"Gone eight bells--so go and turn in, De Walden, and I will take my spell here."
"Thank you, and so I will. But here, take a glass of vin-de-grave;" and, to my great wonderment, the spectre and man of flesh hobbed and nobbed together with all the comfort in life. "Have you seen Lennox this afternoon?"
"Yes, I saw him about eight o'clock," said Peak; "the alcalde has given up all the money that was taken from"--here he nodded towards me--"when he was stabbed by the raggamuffin he had fleeced."
"If ever I set foot within a gambling-house again," thought I,--but finding myself their topic, I lay still, and listened attentively.
"How very extraordinary," continued Joey, "that Lennox, on his way from Mr. M----'s to the wharf, should have stumbled on the little man, with the ruffian in the very act of rifling him."
"Why, he did not rifle me," said I, faintly. They both started, and looked towards me. "He did not rob me, for I distinctly recollect his starting off when he stabbed me."
"Ay, sir, that was to see if he had been sure in his blow--for Lennox came on him after he returned, just as he struck his stiletto into you the second time, as you lay on the ground, and after having, with the speed of thought, seized the _bolsa_ with the doubloons."
"Wounded me twice! Upon my honour," said I, fumbling in my bosom, "and so he has--the villain."
Mr Peak continued--"From the marine's account, he himself had a tough job of it, for if he had not got hold of the knife, that had dropped during the scuffle, _he_ would have been done for, in place of having _finished_ the bravo."
"_Finished_ the bravo! Is the man who wounded me dead, then?"
"Not yet, sir," continued Mr Peak. "But he cannot live, I hear--Lennox made sure work of it. He told me himself, that in his desperation he passed the knife into him, until his thumb was stopped by his ribs--none of your back blows, but a straight thrust--a regular pig-butcher's _slide_, sir."
"_Pig-butcher's slide!_ how classical! If he had not deserved it," said I, "I would have been sorry that a fellow-creature's blood had been shed even in my defence."
"No, no," quoth De Walden, "it was, more properly speaking, in Lennox's own defence; for the villain, not content with killing you, as he thought he had done, and robbing you besides, would most assuredly have served the poor Scotchman the same way, if he had not been beforehand with him."
"But where is Lennox?"
"The town-guard, who had heard the row, came up just as he had mastered his opponent, sir; and the poor fellow, with great discretion, made no attempt to escape, so he is now a prisoner, along with the wounded man; but he is quite cool and collected, and the moment you can give your evidence, there is not the smallest doubt but he will be instantly released."
"And yourself, De Walden--by what miracle do I see you here?"
"By next to a miracle, indeed, my dear sir," said he, smiling; then, with an altered countenance, he continued--"The worst among us, sir, is not yet a fiend--no human heart is altogether evil--and I owe my life to the very man who tried to take _yours_--to the fellow who stabbed you, sir. But I am forgetting myself altogether--you must take your draught again, sir, and to-morrow forenoon you shall know all. In the mean time I must entreat you to take some rest, if you can, and I will go and turn in."
"I say, De Walden, what is that dropping there?"
"You are always making slops, Joe," said the other, as he rose to go away; "why, what _have_ you spilt next?"
"Spilt?" rejoined Peak, "hand me the light, for, by the powers, I believe that Mr Brail himself is _spilling_,--if not quite entirely _spilt_--see here."
True enough; the wound in my breast, which, although not deep, the knife having been stopped by the bone, was lacerated, had burst out afresh, either from my motion or _emotion_, and a black stream now trickled over the sheet that covered the red-leather mattrass of the quatre on which I rested, and fell tap-tap on the floor.
"Run, run, De Walden--call the doctor's assistant--he sleeps in the next room," cried little Peak.
In a moment the Spaniard was with us, without his clothes, but _with_ his bandages and lint, and as the operation was a very simple one, I was soon put to rights again; but I took the hint, and asked for no more information that night. De Walden now rose and wished me good-night, saying, as little Peak took charge of the deck, "You are to call Mrs Gerard at daylight, Joey--so clap a stopper on your jaw, you little villain, and don't speak one word, _even if he desires you_."
"Pah, you be hanged, De Walden," quoth Joey.
So, satisfied and thankful for what I now did know, and in the hope of learning _all_ to-morrow, I took the draught, turned on my sound side, and slept in Elysium.
Next morning, when I awoke, the sun had already risen, and shone cheerily through the open casement. Several black female domestics were busy setting the room in which I lay in order, and a middle-aged respectable-looking white woman employed in sewing, now occupied the chair in which the ghost of De Walden sat the previous night, while busied in the etherial occupation of eating pine-apple and drinking vin-de-grave.
Seeing I was awake, she spoke--"I hope you feel yourself better this morning; you have had a very quiet night, sir, Mr Peak says."
"Thank you, I do feel wonderfully refreshed. Pray, are you one of the family?"
"No, sir, I am the wife of the captain of the American brig, whose crew you, and your friend Mr Lanyard, saved from perishing of thirst."
"What! are you the poor woman whom I found in the cabin with her child?"
"I am, sir; and I hope heaven will reward you for it. My husband has been here often, sir, to enquire after you. His vessel is consigned to Mr Duquesné, sir; how happy he will be to find you so much better, when he calls at dinner time to-day!"
"How came it that I was carried into this house? Mr Duquesné's, I believe--a Frenchman, from the name?"
"You were wounded close to it, sir, and the marine who found you, thinking you were dying, requested the guard, after they had taken the man who stabbed you, to allow you to be carried in here; and I thank Heaven that you have fallen into such good hands, and that I have had it in my power to be of some use to you, as a sick-nurse."
To let the reader behind the curtain without more palaver, I shall bring my log up to the present speaking, in three words or so:--Mr Duquesné, in whose hospitable mansion I now lay badly wounded, was a French merchant of high repute in Havanna. He was a widower, and had an only daughter, Sophie, the beautiful brunette that I had seen hanging over De Walden at the easel. The manager of his New York establishment, an American gentleman of the name of Hudson, whose son was a lieutenant in the Yankee frigate anchored in the port, was at this time, with his wife and daughter, on a visit to him, having come down in the man-of-war. Mr Hudson had a twofold object in this visit; first, to arrange some mercantile transactions with his partner; and secondly, to take possession of a large coffee property, that he had lately inherited in right of his wife.
Sophie Duquesné and Helen Hudson were bosom friends, according to the rule observed in all similar cases; and as for the gentlemen of the family, Mr Duquesné, the papa, was a stout but very handsome man, apparently about fifty. He did not, in the most remote degree, fall in with one's notions of a Frenchman; verily I would have sworn he never had eaten a frog in his life. He was punctiliously well-bred, spoke English tolerably, and Spanish perfectly well; and, under Providence, I have to thank him that I am now inditing this authentic record. Had I been his own son, he could not have had me more tenderly cared for. Mr Hudson was a tall, sallow person, with a good dash of the Yankee in his outward man, and a little flavour of the same in his accent and phraseology; but an upright merchant, well read in the literature of the day, a tolerable linguist, and more liberal in his opinions than most of his countrymen. He had travelled a good deal on the Continent, and had spent three years in England, partly for his wife's health, and partly for the education of his only daughter, Helen. But his wife was, without exception, one of the most ladylike persons I ever beheld. She was an heiress of one of the best families in Philadelphia, and in her youth had been a beauty; even now she was an exceedingly fine woman, very tall, with fine dark hair and eyes, and a most delicate complexion. Her smile was absolutely irresistible.
"But, Master Benjie, let us have a small view of Miss Helen Hudson, whom you have taken so much pains _not_ to describe."
"All in good time, _mon ami_--all in good time; but here comes De Walden."
"Good morning, Mr Brail; you seem much better. Mrs Hudson has Dr Delaville's permission to offer you some coffee and toast this morning."
"Well, do you know, I think I could eat it."
Breakfast was accordingly brought, and I made a deuced good one. Excellent coffee, bread most beautiful, all the concomitants delicate in the extreme; even the cool water in the small porous earthen jar, that flanked a magnificent red snapper, was an unspeakable luxury. The very privilege of grasping the dewy neck of the little vessel, in the act of helping yourself, was worth a Jew's eye.
"So, Master De Walden, shake hands, will ye, that I may be certain you are really flesh and blood; and tell me how came it that you were not drowned, my lad, when you fell overboard on the bar?"
"The only way that I can account for it, my dear sir," said the handsome young fellow, laughing, "is, that I suppose I am fated to a drier death."
"I would not hear thine enemy say so," quoth I.
"However, my tale is easily told:--You remember, sir, that I was standing close beside you, when you were jamming the Spanish schooner on the reef?"--I nodded--"I got a regular souse, and must have sank some way, but I never lost my recollection. When I rose amidst the breakers on the bar, I found myself in the very thick of the wreck of the schooner, and, close to me, five poor devils clinging to her mainboom, with the sea breaking over them every moment. One of them presently parted company and disappeared; and finding that the spar was anchored by the topping-lifts and boomsheet to the hull of the vessel that had swamped, part of which as yet held together, I left it, and struck put for a large piece of wreck, apparently several deck planks, kept together by part of two beams, when the deck had blown up. I reached it, and found two men already on it,--one of them a Spaniard, the other an Englishman, as he instantly addressed me in English, in answer to some sudden exclamation of mine, on first clambering on to the planks. My surprise at this was great, and so was his, I make no doubt; but the unruly surge was more surprising than all, for another sea rolled over us, and the Spaniard alone remained. The next moment I saw my countryman struggling in the water close to me, but so weak that it was clear he must instantly sink if not succoured. As I looked, a piece of a sweep, belonging to the schooner, surged against me, and nearly drove me off my perch; I caught it, and shoving the blade to the drowning man, with some danger of being unroosted myself in the attempt, it reached him: he held on, and I got him once more on the planks. He was a gruff savage, however, and scarcely seemed to relish my saving him at all at first. He had been stunned, forsooth, by a blow on the head from a piece of floating wreck when he sank, or he could _easily_ have resumed his place on the spar again without my assistance; and I daresay he said true, only I did not much admire his manners in the declaration, all things considered: indeed, I soon perceived that his physical endurance and bodily strength were greatly superior to mine. Both of us saw--as for the third of the trio, he appeared almost dead from fatigue or fear, and we could get no assistance from him either by advice or labour--that unless we could get the piece of the wreck we clung to out of the broken water, we must inevitably be washed off and perish. With one accord, we therefore contrived to hold up the blade of the sweep, so as to expose the flat of it to the land-wind, and in a few minutes we had the inexpressible delight to find that we had slid into smooth water. Cold comfort, you will say, to find ourselves drifting out to sea, on so frail a conveyance; but the escape from immediate and impending death made one of us at least most thankful to Heaven for the chance of escape, however slender, thus presented to us; although my judgment told me at the same time, that it would prove, in all human likelihood, nothing more than a reprieve, and that none of the longest. When the day broke, the breeze, as you may remember, shifted and blew on shore again, where, by the aid of the sweep blade once more, we landed about noon, faint from hunger and thirst, I don't know which was most violent, and fatigue. The seaman I had saved was a large and exceedingly powerful man, with immense whiskers, and his strong but very handsome features bronzed almost black by the sun. His limbs were beautifully moulded, and he had the chest and neck of a Hercules: both he and the other poor creature, who came ashore more dead than alive, were dressed in white trowsers, and shirts made of some blue cotton stuff, and wore the long Spanish knife, stuck through red silk sashes. 'What is to be done now?' said I to my new friend; but he by this time had got his wits about him, and pretended that he did not understand me, confining himself to Spanish in his reply. 'Now, that won't do, my good sir,' I said; 'you spoke as good English on these planks there as I do, and you understood me well enough when I called to you to lay hold of the blade of the sweep, when'----
"'I was drowning, you would say, young gentleman,' interjected he of the sash and stiletto. 'It is very true I am an Englishman, and you will find me not ungrateful, although, Heaven knows, the life you have preserved is no boon to'----He checked himself, and proceeded--'But it is lucky for you that you have made a friend of me, for otherwise, although you have escaped the perils of the sea, you could not have eschewed the certain death that would now await you, from those you must mingle with, were it not that I am here to ward it off.'
The first chapter of The Cruise of the Midge, Volume II, opens with the narrator waking from an opiate-induced sleep in a richly described room: an ebony table inlaid with mother-of-pearl, a brown wax candle in a silver candlestick, and a pineapple whose scent mingles with the night air. The prose lingers on textures and sensations—the cool breeze on feverish temples, the chirping of crickets—before the narrator turns and sees the apparition of young Henry De Walden. This immediate shift from languid detail to supernatural shock establishes a pattern: the novel alternates between meticulous observation and abrupt, often violent, incident. Readers should note how Scott uses sensory clutter to ground the fantastic, and how the narrator’s physical pain mirrors his psychological unease.
Sensory Overload as a Narrative Device
The opening excerpt is dense with tactile and olfactory cues: the coolness of the night air, the odour of the pine-apple, the large drops of ice-cold perspiration. Scott does not merely set a scene; he forces the reader to inhabit the narrator’s feverish body. This technique recurs in the middle excerpt, where a constable’s touch on the shoulder is described as something most people are rather sensitive regarding, and the drunken man’s face is likened to flannel-bags full of jelly. The physical world is never neutral—it presses in, repulses, or startles. For a first reading, pay attention to how often the narrator’s body reacts before his mind does: sweating, fluttering heart, impeded breath. These involuntary responses signal danger or wonder before the plot confirms them.
Comic Set-Pieces and the Grotesque
The middle excerpt introduces a coroner’s inquest and a chase through a narrow lane. Jacob Twig, a recurring figure, leaps over a washerwoman and her tub in a regular leap-frog, his glazed hat blazing like a meteor. The scene is broadly farcical—the constable’s dialect (bone him instanter), the old woman facing the wrong way, the cow blocking the path—yet it is undercut by the grim context of a death requiring an inquest. Scott blends the grotesque with the mundane: the constable is ugly bloated drunken-looking, and the lane is closed up by a party washing clothes. Readers should note how these comic interludes relieve tension from the earlier supernatural encounter, but also how they reinforce the novel’s setting in a Caribbean port where violence and absurdity coexist. The narrator’s wry commentary (we were not left long in suspense) keeps the tone light even as events border on chaos.
The Narrator’s Retrospective Voice
The excerpts are told in past tense, with the narrator occasionally addressing the reader directly (the reader knows already). This retrospective framing creates a gap between the experiencing self and the narrating self. In the opening, the narrator recalls his sensation of ineffable pleasure and his terror at the apparition, but he survives to tell the tale. In the middle excerpt, he whispers with Lennox about old Jacob Munroe’s warm heart, suggesting a later understanding of character. The later excerpt (from the Project Gutenberg boilerplate) is not part of the novel, but the pattern is clear: the narrator is a seasoned sailor looking back on youthful adventures. For a first reading, track moments where the narrator editorializes—I must do old Jacob Munroe justice—as these reveal his mature perspective and hint at how earlier events will be reinterpreted.
Setting as a Character: Caribbean Specificity
The novel is set in the Caribbean, and the excerpts are thick with local detail: pine-apple, crickets, nanny houses inhabited by brown free people, Montego bay, Port-Royal. The moonlight streams through a balcony that projected into and overhung the neighbouring thoroughfare, a detail that evokes Spanish colonial architecture. The constable’s dialect (sare, de coroner’s warrant) marks him as a local of color, while the white characters are often described by their physical grotesqueness (yellow cheeks, flabby jowls). Scott uses setting not as backdrop but as a force that shapes events: the heat, the narrow lanes, the mix of races and classes. Readers should note how the environment constrains action—the lane is quite closed up—and how the narrator’s observations of flora, architecture, and social hierarchy are woven into the plot, not merely decorative.
These excerpts suggest that The Cruise of the Midge rewards attention to sensory detail, comic timing, and the narrator’s retrospective stance. The opening’s ghostly vision, the middle’s farcical chase, and the recurring physicality of the prose all point to a work that balances adventure with a knowing, sometimes ironic, voice. Readers should approach the novel as a series of vivid episodes rather than a tightly plotted whole, and watch for how the narrator’s body registers what his mind is slow to grasp.
That rainy afternoon, Michael Scott’s narrator kept looking back from the deck, and I found myself doing the same long after closing The Cruise of the Midge. The salt-spray felt stored in the pages. Later, idly, I picked up A high wind in Jamaica — Reading Notes and noticed how children aboard a ship view the sea with a colder, older clarity — a different kind of looking back.
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Use these questions to collect your thoughts before moving on.
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