Howard Pyle's Book of Pirates Fiction, Fact & Fancy Concerning the Buccaneers & Marooners of the Spanish Main — Background and Themes

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Pyle, Howard, 1853-1911 Project Gutenberg 2006 Not confirmed
Spanish Main -- Fiction; Pirates -- Fiction; Sea stories, American; Buccaneers -- Fiction; Historical fiction, American Readers of public-domain and historical texts
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Words 76,322
Reading time 332 min
Text sections 7

This digital edition of Howard Pyle's Book of Pirates Fiction, Fact & Fancy Concerning the Buccaneers & Marooners of the Spanish Main — Background and Themes is described by source-level measurements including 76,322 words, 5 hr 32 min estimated reading time, and 7 detected text sections.

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Project Gutenberg metadata also associates the work with “Spanish Main -- Fiction,” connecting these edition facts with the source record’s subject description.

Howard Pyle's collection of pirate tales blends fiction, historical fact, and fancy, featuring stories like 'The Ghost of Captain Brand' and 'Blueskin the Pirate.' This edition compiles his work with an emphasis on narrative voice and pacing, from measured counting sequences to sudden bursts of action.
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Chapter I. BUCCANEERS AND MAROONERS OF THE SPANISH MAIN

JUST above the northwestern shore of the old island of Hispaniola--the Santo Domingo of our day--and separated from it only by a narrow channel of some five or six miles in width, lies a queer little hunch of an island, known, because of a distant resemblance to that animal, as the Tortuga de Mar, or sea turtle. It is not more than twenty miles in length by perhaps seven or eight in breadth; it is only a little spot of land, and as you look at it upon the map a pin's head would almost cover it; yet from that spot, as from a center of inflammation, a burning fire of human wickedness and ruthlessness and lust overran the world, and spread terror and death throughout the Spanish West Indies, from St. Augustine to the island of Trinidad, and from Panama to the coasts of Peru.

About the middle of the seventeenth century certain French adventurers set out from the fortified island of St. Christopher in longboats and hoys, directing their course to the westward, there to discover new islands. Sighting Hispaniola "with abundance of joy," they landed, and went into the country, where they found great quantities of wild cattle, horses, and swine.

Now vessels on the return voyage to Europe from the West Indies needed revictualing, and food, especially flesh, was at a premium in the islands of the Spanish Main; wherefore a great profit was to be turned in preserving beef and pork, and selling the flesh to homeward-bound vessels.

The northwestern shore of Hispaniola, lying as it does at the eastern outlet of the old Bahama Channel, running between the island of Cuba and the great Bahama Banks, lay almost in the very main stream of travel. The pioneer Frenchmen were not slow to discover the double advantage to be reaped from the wild cattle that cost them nothing to procure, and a market for the flesh ready found for them. So down upon Hispaniola they came by boatloads and shiploads, gathering like a swarm of mosquitoes, and overrunning the whole western end of the island. There they established themselves, spending the time alternately in hunting the wild cattle and buccanning(1) the meat, and squandering their hardly earned gains in wild debauchery, the opportunities for which were never lacking in the Spanish West Indies.

(1) Buccanning, by which the "buccaneers" gained their name, was of process of curing thin strips of meat by salting, smoking, and drying in the sun.

At first the Spaniards thought nothing of the few travel-worn Frenchmen who dragged their longboats and hoys up on the beach, and shot a wild bullock or two to keep body and soul together; but when the few grew to dozens, and the dozens to scores, and the scores to hundreds, it was a very different matter, and wrathful grumblings and mutterings began to be heard among the original settlers.

But of this the careless buccaneers thought never a whit, the only thing that troubled them being the lack of a more convenient shipping point than the main island afforded them.

This lack was at last filled by a party of hunters who ventured across the narrow channel that separated the main island from Tortuga. Here they found exactly what they needed--a good harbor, just at the junction of the Windward Channel with the old Bahama Channel--a spot where four-fifths of the Spanish-Indian trade would pass by their very wharves.

There were a few Spaniards upon the island, but they were a quiet folk, and well disposed to make friends with the strangers; but when more Frenchmen and still more Frenchmen crossed the narrow channel, until they overran the Tortuga and turned it into one great curing house for the beef which they shot upon the neighboring island, the Spaniards grew restive over the matter, just as they had done upon the larger island.

Accordingly, one fine day there came half a dozen great boatloads of armed Spaniards, who landed upon the Turtle's Back and sent the Frenchmen flying to the woods and fastnesses of rocks as the chaff flies before the thunder gust. That night the Spaniards drank themselves mad and shouted themselves hoarse over their victory, while the beaten Frenchmen sullenly paddled their canoes back to the main island again, and the Sea Turtle was Spanish once more.

But the Spaniards were not contented with such a petty triumph as that of sweeping the island of Tortuga free from the obnoxious strangers, down upon Hispaniola they came, flushed with their easy victory, and determined to root out every Frenchman, until not one single buccaneer remained. For a time they had an easy thing of it, for each French hunter roamed the woods by himself, with no better company than his half-wild dogs, so that when two or three Spaniards would meet such a one, he seldom if ever came out of the woods again, for even his resting place was lost.

But the very success of the Spaniards brought their ruin along with it, for the buccaneers began to combine together for self-protection, and out of that combination arose a strange union of lawless man with lawless man, so near, so close, that it can scarce be compared to any other than that of husband and wife. When two entered upon this comradeship, articles were drawn up and signed by both parties, a common stock was made of all their possessions, and out into the woods they went to seek their fortunes; thenceforth they were as one man; they lived together by day, they slept together by night; what one suffered, the other suffered; what one gained, the other gained. The only separation that came betwixt them was death, and then the survivor inherited all that the other left. And now it was another thing with Spanish buccaneer hunting, for two buccaneers, reckless of life, quick of eye, and true of aim, were worth any half dozen of Spanish islanders.

By and by, as the French became more strongly organized for mutual self-protection, they assumed the offensive. Then down they came upon Tortuga, and now it was the turn of the Spanish to be hunted off the island like vermin, and the turn of the French to shout their victory.

Having firmly established themselves, a governor was sent to the French of Tortuga, one M. le Passeur, from the island of St. Christopher; the Sea Turtle was fortified, and colonists, consisting of men of doubtful character and women of whose character there could be no doubt whatever, began pouring in upon the island, for it was said that the buccaneers thought no more of a doubloon than of a Lima bean, so that this was the place for the brothel and the brandy shop to reap their golden harvest, and the island remained French.

Hitherto the Tortugans had been content to gain as much as possible from the homeward-bound vessels through the orderly channels of legitimate trade. It was reserved for Pierre le Grand to introduce piracy as a quicker and more easy road to wealth than the semi-honest exchange they had been used to practice.

Gathering together eight-and-twenty other spirits as hardy and reckless as himself, he put boldly out to sea in a boat hardly large enough to hold his crew, and running down the Windward Channel and out into the Caribbean Sea, he lay in wait for such a prize as might be worth the risks of winning.

For a while their luck was steadily against them; their provisions and water began to fail, and they saw nothing before them but starvation or a humiliating return. In this extremity they sighted a Spanish ship belonging to a "flota" which had become separated from her consorts.

The boat in which the buccaneers sailed might, perhaps, have served for the great ship's longboat; the Spaniards out-numbered them three to one, and Pierre and his men were armed only with pistols and cutlasses; nevertheless this was their one and their only chance, and they determined to take the Spanish ship or to die in the attempt. Down upon the Spaniard they bore through the dusk of the night, and giving orders to the "chirurgeon" to scuttle their craft under them as they were leaving it, they swarmed up the side of the unsuspecting ship and upon its decks in a torrent--pistol in one hand and cutlass in the other. A part of them ran to the gun room and secured the arms and ammunition, pistoling or cutting down all such as stood in their way or offered opposition; the other party burst into the great cabin at the heels of Pierre le Grand, found the captain and a party of his friends at cards, set a pistol to his breast, and demanded him to deliver up the ship. Nothing remained for the Spaniard but to yield, for there was no alternative between surrender and death. And so the great prize was won.

It was not long before the news of this great exploit and of the vast treasure gained reached the ears of the buccaneers of Tortuga and Hispaniola. Then what a hubbub and an uproar and a tumult there was! Hunting wild cattle and buccanning the meat was at a discount, and the one and only thing to do was to go a-pirating; for where one such prize had been won, others were to be had.

In a short time freebooting assumed all of the routine of a regular business. Articles were drawn up betwixt captain and crew, compacts were sealed, and agreements entered into by the one party and the other.

In all professions there are those who make their mark, those who succeed only moderately well, and those who fail more or less entirely. Nor did pirating differ from this general rule, for in it were men who rose to distinction, men whose names, something tarnished and rusted by the lapse of years, have come down even to us of the present day.

Pierre Francois, who, with his boatload of six-and-twenty desperadoes, ran boldly into the midst of the pearl fleet off the coast of South America, attacked the vice admiral under the very guns of two men-of-war, captured his ship, though she was armed with eight guns and manned with threescore men, and would have got her safely away, only that having to put on sail, their mainmast went by the board, whereupon the men-of-war came up with them, and the prize was lost.

But even though there were two men-of-war against all that remained of six-and-twenty buccaneers, the Spaniards were glad enough to make terms with them for the surrender of the vessel, whereby Pierre Francois and his men came off scot-free.

Bartholomew Portuguese was a worthy of even more note. In a boat manned with thirty fellow adventurers he fell upon a great ship off Cape Corrientes, manned with threescore and ten men, all told.

Her he assaulted again and again, beaten off with the very pressure of numbers only to renew the assault, until the Spaniards who survived, some fifty in all, surrendered to twenty living pirates, who poured upon their decks like a score of blood-stained, powder-grimed devils.

They lost their vessel by recapture, and Bartholomew Portuguese barely escaped with his life through a series of almost unbelievable adventures. But no sooner had he fairly escaped from the clutches of the Spaniards than, gathering together another band of adventurers, he fell upon the very same vessel in the gloom of the night, recaptured her when she rode at anchor in the harbor of Campeche under the guns of the fort, slipped the cable, and was away without the loss of a single man. He lost her in a hurricane soon afterward, just off the Isle of Pines; but the deed was none the less daring for all that.

Another notable no less famous than these two worthies was Roch Braziliano, the truculent Dutchman who came up from the coast of Brazil to the Spanish Main with a name ready-made for him. Upon the very first adventure which he undertook he captured a plate ship of fabulous value, and brought her safely into Jamaica; and when at last captured by the Spaniards, he fairly frightened them into letting him go by truculent threats of vengeance from his followers.

Such were three of the pirate buccaneers who infested the Spanish Main. There were hundreds no less desperate, no less reckless, no less insatiate in their lust for plunder, than they.

The effects of this freebooting soon became apparent. The risks to be assumed by the owners of vessels and the shippers of merchandise became so enormous that Spanish commerce was practically swept away from these waters. No vessel dared to venture out of port excepting under escort of powerful men-of-war, and even then they were not always secure from molestation. Exports from Central and South America were sent to Europe by way of the Strait of Magellan, and little or none went through the passes between the Bahamas and the Caribbees.

So at last "buccaneering," as it had come to be generically called, ceased to pay the vast dividends that it had done at first. The cream was skimmed off, and only very thin milk was left in the dish. Fabulous fortunes were no longer earned in a ten days' cruise, but what money was won hardly paid for the risks of the winning. There must be a new departure, or buccaneering would cease to exist.

Then arose one who showed the buccaneers a new way to squeeze money out of the Spaniards. This man was an Englishman--Lewis Scot.

The stoppage of commerce on the Spanish Main had naturally tended to accumulate all the wealth gathered and produced into the chief fortified cities and towns of the West Indies. As there no longer existed prizes upon the sea, they must be gained upon the land, if they were to be gained at all. Lewis Scot was the first to appreciate this fact.

Gathering together a large and powerful body of men as hungry for plunder and as desperate as himself, he descended upon the town of Campeche, which he captured and sacked, stripping it of everything that could possibly be carried away.

When the town was cleared to the bare walls Scot threatened to set the torch to every house in the place if it was not ransomed by a large sum of money which he demanded. With this booty he set sail for Tortuga, where he arrived safely--and the problem was solved.

After him came one Mansvelt, a buccaneer of lesser note, who first made a descent upon the isle of Saint Catharine, now Old Providence, which he took, and, with this as a base, made an unsuccessful descent upon Neuva Granada and Cartagena. His name might not have been handed down to us along with others of greater fame had he not been the master of that most apt of pupils, the great Captain Henry Morgan, most famous of all the buccaneers, one time governor of Jamaica, and knighted by King Charles II.

After Mansvelt followed the bold John Davis, native of Jamaica, where he sucked in the lust of piracy with his mother's milk. With only fourscore men, he swooped down upon the great city of Nicaragua in the darkness of the night, silenced the sentry with the thrust of a knife, and then fell to pillaging the churches and houses "without any respect or veneration."

Of course it was but a short time until the whole town was in an uproar of alarm, and there was nothing left for the little handful of men to do but to make the best of their way to their boats. They were in the town but a short time, but in that time they were able to gather together and to carry away money and jewels to the value of fifty thousand pieces of eight, besides dragging off with them a dozen or more notable prisoners, whom they held for ransom.

And now one appeared upon the scene who reached a far greater height than any had arisen to before. This was Francois l'Olonoise, who sacked the great city of Maracaibo and the town of Gibraltar. Cold, unimpassioned, pitiless, his sluggish blood was never moved by one single pulse of human warmth, his icy heart was never touched by one ray of mercy or one spark of pity for the hapless wretches who chanced to fall into his bloody hands.

Against him the governor of Havana sent out a great war vessel, and with it a negro executioner, so that there might be no inconvenient delays of law after the pirates had been captured. But l'Olonoise did not wait for the coming of the war vessel; he went out to meet it, and he found it where it lay riding at anchor in the mouth of the river Estra. At the dawn of the morning he made his attack sharp, unexpected, decisive. In a little while the Spaniards were forced below the hatches, and the vessel was taken. Then came the end. One by one the poor shrieking wretches were dragged up from below, and one by one they were butchered in cold blood, while l'Olonoise stood upon the poop deck and looked coldly down upon what was being done. Among the rest the negro was dragged upon the deck. He begged and implored that his life might be spared, promising to tell all that might be asked of him. L'Olonoise questioned him, and when he had squeezed him dry, waved his hand coldly, and the poor black went with the rest. Only one man was spared; him he sent to the governor of Havana with a message that henceforth he would give no quarter to any Spaniard whom he might meet in arms--a message which was not an empty threat.

The rise of l'Olonoise was by no means rapid. He worked his way up by dint of hard labor and through much ill fortune. But by and by, after many reverses, the tide turned, and carried him with it from one success to another, without let or stay, to the bitter end.

Cruising off Maracaibo, he captured a rich prize laden with a vast amount of plate and ready money, and there conceived the design of descending upon the powerful town of Maracaibo itself. Without loss of time he gathered together five hundred picked scoundrels from Tortuga, and taking with him one Michael de Basco as land captain, and two hundred more buccaneers whom he commanded, down he came into the Gulf of Venezuela and upon the doomed city like a blast of the plague. Leaving their vessels, the buccaneers made a land attack upon the fort that stood at the mouth of the inlet that led into Lake Maracaibo and guarded the city.

The Spaniards held out well, and fought with all the might that Spaniards possess; but after a fight of three hours all was given up and the garrison fled, spreading terror and confusion before them. As many of the inhabitants of the city as could do so escaped in boats to Gibraltar, which lies to the southward, on the shores of Lake Maracaibo, at the distance of some forty leagues or more.

Then the pirates marched into the town, and what followed may be conceived. It was a holocaust of lust, of passion, and of blood such as even the Spanish West Indies had never seen before. Houses and churches were sacked until nothing was left but the bare walls; men and women were tortured to compel them to disclose where more treasure lay hidden.

Then, having wrenched all that they could from Maracaibo, they entered the lake and descended upon Gibraltar, where the rest of the panic-stricken inhabitants were huddled together in a blind terror.

The governor of Merida, a brave soldier who had served his king in Flanders, had gathered together a troop of eight hundred men, had fortified the town, and now lay in wait for the coming of the pirates. The pirates came all in good time, and then, in spite of the brave defense, Gibraltar also fell. Then followed a repetition of the scenes that had been enacted in Maracaibo for the past fifteen days, only here they remained for four horrible weeks, extorting money--money! ever money!--from the poor poverty-stricken, pest-ridden souls crowded into that fever hole of a town.

Howard Pyle's Book of Pirates opens with a foreword that positions the author as a master of transposing himself into historical periods, making pirates 'flesh and blood again.' The preface then poses a provocative question: why does a 'little spice of deviltry' lend a 'titillating twang' to respectable civilization? This framing sets the stage for stories that oscillate between factual buccaneer history and supernatural fancy.

The collection's narrative voice is notably varied. In 'Tom Chist and the Treasure Box,' the prose slows to a deliberate, almost hypnotic pace as a pirate captain counts each step—'ninety-one, ninety-two'—while burying treasure. This measured rhythm contrasts with the sudden, sharp details of moonlight and distant thunder, creating a tension that defines Pyle's storytelling.

The Rhythm of Suspense

Pyle's prose often builds suspense through repetitive, rhythmic language. In the excerpt from 'Tom Chist and the Treasure Box,' the counting voice—'one hundred and twenty, and twenty-one, and twenty-two'—creates a hypnotic cadence that mirrors the pirates' methodical burial of a chest. The reader, like Tom, is drawn into the slow, deliberate action, only to be jolted by a 'sudden faint flash of light' and a 'far-away muffled rumble of distant thunder.' This alternation between measured pacing and abrupt interruption is a hallmark of Pyle's narrative technique.

Elsewhere, the preface's rhetorical questions establish a contemplative tone, while the foreword's direct address to the reader—'Why is it that a little spice of deviltry lends not an unpleasantly titillating twang?'—invites reflection. Pyle varies sentence length to control tempo: short, punchy statements like 'He stopped and stood listening' give way to longer, descriptive passages that immerse the reader in the setting.

Voice and Perspective

Pyle employs a third-person narrator who stays close to his characters' perceptions. In the excerpt, Tom's fear is rendered through physical sensation: 'the stillness seemed to press upon him like a heavy hand.' The narrator never fully enters Tom's mind but conveys his reactions through external details—the crouching, the listening, the 'keen thrill.' This limited omniscience keeps the reader anchored in the immediate scene.

Dialogue is sparse but pointed. The counting voice is disembodied, almost mechanical, while the pirates' grunts and the 'sound of a laugh from one of those who stood by the ship's boat' add a layer of eerie normalcy. The foreword and preface, written in a more formal, essayistic voice, frame the fictional stories with historical context. This shift in register—from analytical to immersive—prepares the reader for the blend of fact and fancy that follows.

Setting as a Character

The Spanish Main is not merely a backdrop but an active force in Pyle's narratives. The excerpt emphasizes the 'bright, glimmering moonlight,' the 'silent stretches of sand,' and the 'little waves beating upon the distant beach.' These details create a sensory landscape that mirrors the characters' isolation and vulnerability. The sand hills and hollows become obstacles and hiding places, shaping the action as much as the pirates do.

Pyle's descriptions are precise: the 'half-naked negro' and the 'man with the plaited queue and the earrings' are sketched with a few vivid strokes. The setting also dictates the pace—the slow, laborious movement through sand contrasts with the sudden flash of lightning. In the preface, the author muses on the 'lurid glamour of the heroical' that surrounds pirates, suggesting that the exotic, dangerous environment contributes to their mythic status.

Readers attentive to Pyle's craft will notice how he uses repetition—of words, sounds, and actions—to build a world that feels both historical and dreamlike. The counting sequence in 'Tom Chist' is a masterclass in suspense through restraint. As you move through the collection, pay attention to shifts in narrative distance: when does Pyle zoom in on a character's sensory experience, and when does he pull back to offer a broader view? These choices reveal the author's control over pace and atmosphere.

I have spent many an evening with old Howard Pyle, watching his pirates count their pieces of eight with a dreadful, slow precision before the sudden slash of action. It brings to mind that other, plainer tale of adventure holed up on my shelves, Fire Cloud; Or, The Mysterious Cave. A Story of Indians and Pirates. — Inside the Classic. Both share that same unhurried, almost campfire pace, a patient threat waiting in the shadows.

William Williams
3 weeks ago

Harper Garcia
1 week ago

Dylan Martin
4 weeks ago

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