Marjorie — Reading Notes
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The catalog record for Marjorie — Reading Notes provides practical reading context through 67,251 words, 4 hr 53 min estimated reading time, and 7 detected text sections.
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Project Gutenberg metadata also associates the work with “Sea stories,” connecting these edition facts with the source record’s subject description.
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Those were delicious terrors. But what I most learnt from that book was an unconquerable love for travel and an unconquerable stretching to the sea. When I read in my book of Sinbad and his Seven Voyages I would think of the sea that lay so near me, and wish that I were waiting for a wind in a boat with painted hull and sails like snow and my name somewhere in great gold letters. I would wander down to the quays and watch the shipping and the seamen, and wonder whence they came and where they went, and if any one of them had a roc's egg on board. I was very free for a child in those days, for my parents, still fretting on my delicacy, rarely crossed me; and, indeed, I was tame enough, partly from keeping such quiet, and well content to be by myself for the hour together.
But, when I had lived in this wise until I was nearly fifteen, my father and my mother agreed that I needed more book-learning; and, since they were still loath to send me to school, they thought of Mr. Davies, the bookseller, of Cliff Street. He was a man of learning. His business was steady. He had leisure, and was never pressed for a penny, or even for a guinea. It was agreed that I should go every day for a couple of afternoon hours, to sit with him and ply my book, and become a famous scholar. Poor Mr. Davies! he never got his will of me in that way, and yet he bore me no grudge, though it filled him with disappointment at first.
There was a vast deal of importance for me, though I did not dream it at the time, about my going to take my lessons of Mr. Davies, of Cliff Street. For if I had not gone I should never have got that tincture of Latin which still clings to me, and which a world of winds and waters has not blown or washed from my wits; nor, which is far more important, should I ever have chanced upon Lancelot Amber; and if I had not chanced upon Lancelot Amber I should have lost the best friend man ever had in this world, and missed seeing the world's fairest woman.
Mr. Davies was a wisp of a man, with a taste for snuff and for snuff-coloured garments, and for books in snuffy bindings. His book-shop in Cliff Street was a dingy place enough, with a smell of leather and paste about it, and if you stirred a book you brought enough snuffy dust into the air to make you sneeze for ten minutes. But his own room, which was above the shop, was blithe enough, and it was there I had my lessons. Mr. Davies kept a piping bullfinch in it, and a linnet, and there was a little window garden on the sill, where tulips bloomed in their season, and under a glass case there was a plaster model of the Arch of Titus in Rome, of which he was exceedingly proud, and which I thought very pretty, and at one time longed to have.
Mr. Davies was a smooth and decent scholar, and when he was dreamy he would shove his scratch back from his forehead and shut his eyes and recite Homer or Virgil by the page together, while Lancelot and I listened open-mouthed, and I wondered what pleasure he got out of all that rigmarole. The heroes of Homer and of Virgil seemed to me very bloodless, boneless creatures after my kings and wizards out of Mr. Galland's book; even Ulysses, who was a thrifty, shifty fellow enough, with some touch of the sea-captain in him, was not a patch upon my hero, Sindbad of Bagdad, from whose tale I believe the Greek fellow stole half his fancies, and those the better half.
I remember still clearly the very first afternoon when I presented myself at Mr. Davies's shop in Cliff Street. He told me I was very welcome, assured me that on that day I crossed the threshold of the Muses' Temple, shook me warmly by the hand, and then, all of a sudden, as if recollecting himself, told me to greet my class-fellow. A lad of about mine own age came from the window and held out his hand, and the lad was Lancelot Amber.
I have seen many gracious sights in my time, but only one so gracious as that sudden flash of Lancelot Amber upon my boyish vision. As he came forward with the afternoon sunlight strong upon him he looked like some militant saint. There is a St. George in our church, and there is a St. Michael too, both splendid in coat-armour and terrible with swords, but neither of them has ever seemed to me half so heroic or half so saintly as the boy Lancelot did that morning in Mr. Davies's parlour. He was tall of his years, with fair hair curling about his head as I have since seen hair curling in some of the old Pagan statue-work.
The boy came forward and shook hands with me in friendly fashion, with a friend's grip of the fingers. I gave him the squeeze again, and we both stood for a moment looking at each other silently, as dogs over-eye one another on a first meeting. How little it entered into either of our brains that moment of the times that we should stand together, and the places and the trials and perils that we should endure together. We were only two lads standing there in a snug first-floor room, where yellow parrots sprawled on the painted wall, and a mild-mannered gentleman with a russet wig motioned us to sit down.
Our life ran in current for long enough. We sat together at Mr. Davies's feet--I am speaking metaphorically, for in reality we sat opposite to him--and we thumbed our Cordery and our Nepos together, and made such progress as our natures and our application permitted. Mine, to be honest, was little enough, for I hated my grammar cordially.
Lancelot was not like me in this, any more than in bodily favour; he was keen of wit and quick of memory; he was quick in learning, yet as modest as he was clever, for he never sought in any way to lord it over me because I, poor dunce, was not of such nimble parts as himself.
It was the hardest task in the world for me to keep my eyes and my fancy upon the pages of my book. My eyes were always straying from the print, first to the painted parrots on the walls, and then, by natural succession, to the window. Once there, my fancy would put on free wings, and my thoughts would stray joyously off among the salt marshes, where the pools shone in the sunlight and a sweet air blew. Or I would stand upon the downs and look along the curve of cliffs, and note the ships sailing round the promontory, and the flashes of the sea beyond, and feel in fancy the breeze blowing through my hair, and puffing away all the nonsense I had been poring over in the room.
At such times I would quite forget myself, and sit staring into vacancy, till Mr. Davies, lifting his nose from his volume, would note my absence and call on me by name, and thump his desk, and startle me with some question on the matter we were supposed to have in hand. A mighty matter, truly, the name of some emperor or the date of some campaign--matter infinitely less real than the name of the ship that was leaving the harbour or the sunlight on the incoming sail. And I would answer at random and amiss, and earn reproof. Yet there were things which I knew well enough, too, and could have given him shrewd and precise answers concerning them.
Lancelot Amber was never much my companion away from Mr. Davies's room. His father, whose name he perpetuated, had been a simple, gentle gentleman and scholar who had married, as one of his kin counted it, beneath him, because he had married the woman he loved. The woman he loved was indeed of humble birth, but she made him a fair wife and a good, and she bore him two children, boy Lancelot and girl Marjorie, and died for the life of the lass. Her death, so I learned, was the doom of Lancelot Amber the elder, and there were two babes left in the wood of the world, with, like the children in the ballad, such claims upon two uncles as blood might urge and pity supplement. These two uncles, as Lancelot imagined them to me, were men of vastly different stuff and spirit, as you may sometimes find such flaming contrasts in families. The elder, Marmaduke Amber, used the sea, and was, it seems, as fine a florid piece of sea flesh as an island's king could wish to welcome. His brother, Nathaniel, had been a city merchant, piling up moneys in the Levant trade, and now lived in a fine house out in the swelling country beyond Sendennis, with a fine sea-view. Him I had seen once or twice; a lean monkey creature with a wrinkled walnut of a face and bright, unkind eyes. He was all for leaving the boy of three and the girl of two to the small mercies of some charity school, but the mariner brother gathered the two forlornlings to his great heart, and with him they had lived and thriven ever since. Now it seems Captain Marmaduke was on a voyage to the Bermudas and taking the maid with him, while the boy, to better his schooling and strengthen his body with sea air, was sent to Sendennis to stay with his other uncle, Nathaniel Amber, now, to all appearance, reconciled to the existence of his young relative. This uncle, as I gathered, did not at first approve overmuch of Lancelot taking lessons in common with a single mercer's son, but Mr. Davies, I believe, spoke so well of me that the arrangement was allowed to hold.
But after lesson hours were done Lancelot had always to go back to his uncle's, and though I walked part of the way, or all the way, with him most days of the week, I was never bidden inside those doors. Lancelot told me that he had more than once besought leave to bring me in, but that the old gentleman was obdurate. So, save in those hours of study in the parrot-papered room, I saw but little of Lancelot.
I never expected to be asked inside the doors of the great house where Lancelot's days were passed, and I did not feel any injustice in the matter. I was only a mercer's son, while Lancelot derived of gentlefolk, and it never entered into my mind to question the existing order of things, or to wish to force my way into places where I was not wanted. Excellent gentlemen on the other side of the Atlantic have made very different opinions popular from the opinions that prevailed with me in my youth. Indeed, I myself have now been long used to associate with the great folk of the earth, and have found them in all essential matters very much like other men. I have had the honour of including more than one king amongst my acquaintances, and have liked some and not liked others, just as if they were plain Tom or Harry. But in the days of my youth I should have as soon expected to be welcomed at St. James's as to be welcomed in the great house where Lancelot's uncle lived.
THE ALEHOUSE BY THE RIVER.
Three years after I went to learn under Mr. Davies, of Cliff Street, my father died.
I remember with a kind of terror still, through all these years, when death of every kind has been so familiar to me, how the news of that death came upon me. I had no realisation of what death meant till then. I had heard of people dying, of course; had watched the black processions creeping, plumed and solemn, along the streets to the churchyard; had noted how in any circle of friends now one and now another falls away and returns to earth. I knew that all must die, that I must die myself, as I knew a lesson got by heart which has little meaning to the unawakened ear. But now it came on me with such a stabbing knowledge that for a little while I was almost crazy with the grief and the fear.
But the sorrow, like all sorrows, lessened with time. There was my mother to cheer; there was my schooling to keep; there was the shop to look after.
My father had thriven well enough to lay by a small store, but my mother kept the shop on, partly for the sake of my father, whose pride it was, partly because it gave her something to occupy her widowed life, and partly because, as Mr. Davies pointed out to her, there would be a business all ready for me when I was old enough to step into it. In the meantime my life was simple enough. When I was not taking my schooling with Lancelot I was tending the shop with mother; and when I was doing neither of these things I was free to wander about the town much as I pleased.
Our town was of a tidy size, running well back from the sea up a gentle and uneven acclivity, which made all the streets that stemmed from the border slightly steep, and some of them exceedingly so. Upon the coast line, naturally enough, lay the busiest part of the hive; a comely stretch of ample docks and decent wharves along the frontage of the town, and, straggling out along the horns of the harbour, a maze of poorer streets, fringed at the waterside with boozing-kens, low inns, sailors' lodging-houses, and crimperies of all kinds. There were ticklish places for decent folk to be found in lying to right and left of the solemn old town--aye, and within ten minutes' walk of the solemn old market-square, where the effigy of Sir William Wallet, the goodly and godly Mayor of many years back, smiled upon the stalls of the hucksters and the fine front of the town-hall. If you strayed but a little way from the core of the town you came into narrow, kinkled streets, where nets were stretched across from window to window drying; and if you persevered you came, by cobbly declivities, to the bay shore, and to all the odd places that lay along it, and all the odd people that dwelt therein.
Of course, with the inevitable perversity of boyhood, it was this degenerate quarter of the town which delighted me. I cared nothing, I am sorry to say, for the fine-fronted town-hall, nor for the solemn effigy of Sir William Wallet. I had not the least desire ever to be a functionary of importance in the building, ever to earn the smug immortality of such a statue. I am sorry to say the places I cared for were those same low-lived, straggling, squalid, dangerous regions which hung at one end of respectable little Sendennis like dirty lace upon a demure petticoat. In the early days of my acquaintance with those regions I must confess that I entered them with a certain degree of fear and trembling; but after a while that feeling soon wore off, when I found that no one wanted to do me any harm. Indeed, the dwellers in those parts were generally too much occupied in drinking themselves drunk and sleeping themselves sober to note an unremarkable lad like me. As for their holiday time, they passed it so largely in quarrelling savagely, and occasionally murderously, amongst themselves that they had scant leisure to pay any heed to me. For the rest, these Sendennis slums were not conspicuously evil. You will find just the same places in any seaport town, great or little, in the kingdom. But there was one spot in Sendennis which I do not think that it would be easy to match in any other town, although, perhaps to say this may be but a flash of provincial pride on my part.
A good way from the town, and yet before the river fairly widens into an estuary, there stood a certain hostel, or inn, which it was my joy and my sorrow to haunt. It stood by the water's edge in a kind of little garden of its own; a dreary place, where a few sickly plants tried to hold their own against neglect and the splashings of rinsed glasses. There was a wooden terrace at the back of this place--the back overlooked the river, while the front was on the by-road--and here the habitual revellers, the haunters, whose scored crosses lent the creaking shutters an unnatural whiteness over their weather-beaten surface, dark with age and dirt, loved to linger of a summer evening, and ply the noggin and fill the pipe.
There was an old fiddler, a kind of Orpheus of the slums, who would sometimes creep in there and take his post in a corner and begin to play, happy if the mad lads threw him halfpence, or thrust a half-drained tankard under his tearful old nose: happy, too, if they did not--as they often did--toss the cannikin at him out of mere lightness of heart and drunkenness of wit. He used to play the quaintest old tunes, odd border-side ballad airs, that seemed to go apace with blithe country weddings and decent pastoral merry-makings of all kinds, and to be strangely out of suits with that brotherhood of rakehells, smugglers, and desperadoes who gambled and drank, and swore and quarrelled, while the poor old fellow worked his catgut.
Lord, Lord, how the memory of it all comes back upon me while I write! I have but to close my eyes, and my fancy brings me back to that alehouse by the river, to a summer's eve with its golden shafts falling on the dingy woodwork and lending it a pathetic glory, upon the shining space of dwindled water in the middle of its banks of glistening mud, and there in the corner the pinched old rogue in his ragged bodygear scraping away at 'Barbara Allen,' or 'When first I saw thy face,' or 'The Bailiff's Daughter of Islington,' while the leering rascals in the pilot coats and the flap-eared caps huddled together over their filthy tables, and swigged their strong drink and thumbed their greasy cards and swore horribly in all the lingoes of Babel.
One such summer evening surges up before me with a crimson smear across its sunlight. There was a Low Country fellow there, waist deep in schnapps, and a Finlander sucking strong beer like a hog. Meinheer and the Finn came to words and blows, and I, who was sitting astride of the railing staring, heard a shrill scream from the old man and a rattle as he dropped his fiddle, and then a flash and a red rain of blood on the table as my Finn fell with a knife in him, the Hollander's knife, smartly pegged in between the left breast and the shoulder. I declare that, even in my excitement at that first sight of blood drawn in feud, my boyish thought was half divided between the drunken quarrel and the poor old fiddler, all hunched together on the ground and sobbing dry-eyed in a kind of ecstasy of fear and horror. I heard afterwards that he had a son knifed to his death in a seaman's brawl, and never got over it. As for the Finn, they took him home and kept it dark, and he recovered, and may be living yet for all I know to the contrary, and a perfect pattern to the folk in Finland.
That inn had a name, stranger I have never heard; and a sign, stranger I have never seen; though I have wandered far and seen more than old Ulysses in the school-book ever dreamt of. It was called the Skull and Spectacles; and if its name was at once horrible and laughable, its sign was more devilish still. For instead of any painted board, swinging pleasantly on fair days and creaking lustily on foul, there stood out over the inn door a kind of bracket, and on that bracket stood a human skull, so parched and darkened by wind and weather that it looked more fearful than even a _caput mortuum_ has a right to look.
The narrator opens by confessing the difficulty of telling a plain tale plainly, a self-awareness that runs through this first-person sea adventure. Born in Sendennis, Sussex, he recalls a childhood mad for the sea despite his parents' wish for a landsman's life. The early chapters establish a mercer's shop, a family name of Crowninshield, and a hinted gentle lineage—details that ground the story in a specific social world before the action moves to an alehouse by the river.
The narrative structure shifts between land and sea, with the alehouse scenes introducing Lancelot Amber and a maid called Barbara, while later chapters plunge into the voyage of the Royal Christopher. The excerpts show a pattern of movement: from domestic interiors to the open ocean, from calm to storm, and from order to mutiny. The sea itself becomes a character, described with moaning winds and waves that smack the ship's sides.
The Narrator's Voice and the Sea's Call
The narrator's voice is marked by a wry self-deprecation—he damns ink and paper and wishes himself back in peril rather than writing about it. This tone persists through the excerpts, giving the tale a conversational, sometimes rueful quality. His earliest memories are full of the sea's sound, colour, and smell, a sensory immersion that recurs later when the wind moans through ruined rigging and waves assault the ship. The sea is not a backdrop but an active force, described with verbs like smacking, groaning, and mounting. The narrator's parents, people of substance with a mercer's shop, represent the land life he rejects, and his assumed gentle lineage—the Crowninshield name—hints at a heritage he cares little for. This tension between land and sea, between mercantile respectability and adventurous impulse, shapes his character.
Disguise and Transformation Aboard Ship
A striking recurring image is that of disguise. When Marjorie, the titular character, prepares for danger, she slips on a sea-suit of Lancelot's, hides her limbs in seaman's boots, and coils her fair hair under a seaman's cap. The narrator notes that in this sea change she makes the fairest lad in the world, a transformation that allows her to play the man till fortune mends. This moment echoes earlier scenes: the alehouse by the river, the gentleman in blue, and the company at the Noble Rose all involve characters assuming roles or hiding intentions. The shipwreck itself is reframed as a means of averting a more terrible calamity, turning misfortune into opportunity. The narrator's own forgetfulness after a fall and hurt to his head introduces a motif of unreliable memory, which Lancelot questions, adding layers of uncertainty to the tale.
The Ship as a Stage for Conflict
The Royal Christopher becomes a microcosm of clashing loyalties. The excerpts reveal a clear division: well-trained, well-armed men under Lancelot and the narrator versus the more numerous but practically unarmed sailors led by Cornelys Jensen. The shipwreck, which strands the vessel on a bank of ill omen, forces a temporary truce as all hands work for survival. The narrator observes that in the face of common peril, watchfulness is forgotten, and Jensen and the sailors work as earnestly as the others. This fragile unity breaks when the weather turns again, and the narrative shifts to rafts, the island, and the business of defiance. The chapter titles—We Defy Jensen, The Attack at Last, Our Flag Comes Down—suggest a series of confrontations, but the excerpts only hint at the outcome. The ship's fate is sealed when the sea gives up its quick and the last of the ship is lost.
Recurring Images of Light and Dark
The excerpts are punctuated by contrasts of light and dark, calm and storm. The opening poem addresses Marjorie with angel-bright yellow hair and angel-blue eyes, an image of radiance that reappears when her hair is coiled out of sight. The night scenes are dominated by moaning wind, sullen skies, and waves that mount into mutinous forms. The narrator recalls a terrible night when the waves smacked the ship's sides and the wind sobbed through the rigging, as if the elements were joining in a requiem. This personification of the sea and sky gives the natural world a menacing agency. Yet within this darkness, Marjorie's adaptability and courage provide a counterpoint—she encourages the men with her comradeship, acting as any boy messmate might. The interplay between the bright memory of her and the dark reality of the storm creates a tension that drives the narrative forward.
Readers should attend to the way the narrator frames his own story—his apologies, his swearing at ink and paper, and his insistence on truth despite the tale's astounding events. The excerpts offer only fragments of the full plot, but they reveal a careful architecture of scenes that move from alehouse to ship to island, each location carrying its own mood and threat. The recurring image of disguise, whether Marjorie's sea-suit or the narrator's forgetfulness, invites a reading that questions appearances and loyalties. The sea, ever present, is both the setting and the antagonist, shaping every action.
That Sussex sailor’s tale stayed with me, the way the sea’s moods shift beneath loyalty and disguise. It reminded me of another quiet obsession, where the ocean’s caprice feels just as intimate and unresolved. Some stories linger not because they shout, but because they leave you listening for the next wave. The Flying Bo'sun: A Mystery of the Sea — Text and Context feels cut from that same strange cloth, a memory I keep turning over.
William Jones
3 weeks agoNoah Garcia
4 weeks agoAnthony Rivera
1 month agoMadison Adams
4 weeks ago-
Amanda Lisa Thompson - 4 weeks ago
Marjorie fails to leave a mark. The plot is overly simplistic and the characters are one-dimensional, especially Marjorie, who seems too perfect to be relatable. The narrative drags with unnecessary details and lacks a strong central conflict. While it might appeal to very young children, older readers will find it boring and overly sentimental. -
Emily Wiggins - 2 weeks ago
Marjorie is a delightful coming-of-age story that captures the innocence and charm of youth. The protagonist's adventures and the warm, vivid descriptions of her world are truly engaging. The author weaves a narrative that is both heartwarming and inspiring, perfect for readers who enjoy classic children's literature. A beautifully crafted tale that leaves a lasting impression. -
Jessica Harris - 1 week ago
Marjorie is an enjoyable read with a likable heroine and a wholesome plot. The writing is clear and accessible, making it a good choice for young readers. However, the story follows a predictable path and lacks the depth that older readers might expect. It's a pleasant, if unremarkable, addition to the genre.
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Alexander King
1 month ago