In Search of Mademoiselle — Context and Discussion

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Gibbs, George, 1870-1942 Project Gutenberg 2015 Not confirmed
Great Britain -- History -- Tudors, 1485-1603 -- Fiction; Sailors -- Fiction; Privateering -- Fiction; Florida -- History -- Huguenot colony, 1562-1565 -- Fiction; Florida -- History -- Spanish colony, 1565-1763 -- Fiction Readers of public-domain and historical texts
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Edition facts

Words 91,039
Reading time 396 min
Text sections 28

Before opening In Search of Mademoiselle — Context and Discussion, the edition data offers a quick orientation: 91,039 words, 6 hr 36 min estimated reading time, and 28 detected text sections.

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Project Gutenberg metadata also associates the work with “Great Britain -- History -- Tudors, 1485-1603 -- Fiction,” connecting these edition facts with the source record’s subject description.

An editorial note on how the opening, middle, and later excerpts of George Gibbs's 1901 historical novel guide a first reading, focusing on the narrator's voice, the interplay of historical and fictional characters, and the tension between hope and despair in the Florida wilderness.
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Editorial Edition Score 4.9/5

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ETING WITH MASTER HOOPER.

It has ever been my notion that apology is designed to conceal a purpose rather than to express it; that excuse is not contrition but only self-esteem. Therefore it seems ill-fitting to begin my narration thus, especially as there are many Spaniards who will say that I lie in all that I have written. But this will matter little to me, for I have had good confirmation in the writings of their own priests and chroniclers. Before many years are gone, I will rest peaceful in the churchyard at Tavistock and the ranting of any person, of whatever creed will avail little to disturb my bones. I shall die believing in God Almighty; that is enough for me.

These blind fanatics think themselves privileged to commit any crime in His name. They speak of God as though they owned Him; as though none other were in a position even to think of Him with any understanding. But indeed there is little to choose between the madmen of any races. Twenty years have barely passed since Thomas Cobham sewed eight and forty Spaniards in their own mainsail and cast them overboard. Not long agone certain English soldiers in Mexico filled a Jesuit priest with gunpowder, blowing him to pieces.

I do not attempt to justify my part in the happenings of which I am to write, and the terrible retribution brought upon the Spaniards. I can only say that my own intimate life and love were so twined into these events that I followed where my wild heart led, as one distraught. It is enough that I loved--and now love--Diane better than woman was ever loved, and that I hated Diego with a hate which has outlived death itself.

Being but a blunt mariner and God-fearing man, with a knowledge of the elements rather than any great learning of the quiet arts, the description of these happenings lacks the readiness of the skilled writer, from whose quill new quips and phrases easily pass. Yet, what I, Sydney Killigrew, am to write has virtue in its reality; and its strangeness may even exceed those tales written by the sprightly wits of London, whom I am told it is the fashion of Her Majesty to gather about her.

For although a true report of the people of Florida has been made by Admiral Jean Ribault, the story of the great deception practised upon him by that Spaniard, Menendez de Avilés is now for the first time to be truly written by one who was with the Frenchmen at that time. And in view of the English settlements which may shortly be made by Her Majesty to the northward, it seems proper and valuable that this should be written.

The more do I deem this my duty when I consider the cruel wars which men have fought for the modes by which the good God may be worshiped. Reformist, New Thinker, or whatever I may be, these events have only convinced me of the truth of the saying of my father, “Live thy _life_ right, my young mariner, and thy mode of faith will be forgiven.” That great, good father--naval commander of his king, Councilor of the Realm, noble in life as in lineage--upon whose talents and genius every half-hearted earl in the kingdom had laid a claim! For whatever he may have lacked in wisdom for the betterment of his own estate in the world, he had ever the wit to advise others to their great good fortune and happiness.

As I stood against a pile on the great dock at Plymouth and looked across the fine harbor through the network of rigging, I thought of the days of the Great Henry when good ships well manned and victualed, and commanded by men of valor and ingenuity, were ready at all hours to uphold the dignity of their king upon the water.

Now all was changed. The mighty fleets that lay off in Plymouth Sound in Henry’s day, had rotted in anchorage and not a halliard had been rove on a ship of the line for fifteen years. Discipline on royal ships was a matter of no account, for no man knew what change the week to come might work in his command. Even now the coasts of England lay open to the attack of any foreign ships that might choose to run in and fire the broadsides of their great new pieces of ordnance. Here in Plymouth harbor lay but four revenue ships of one hundred tons, and three converted merchant brigs which had been lightly armed. At London there were perhaps as many more, and these were all,--all that great fair England had in her harbors to ward off danger from the Spaniards, ever ready and watchful across the channel! There was naught for a seaman to do; and if a Bible or prayer-book chanced to be found on board any ship in Papist waters, she would be confiscate forthwith and her company of seamen would be carried to the prisons of the Inquisition.

A voyage in the narrow seas, from which I had returned but a few days before, more than anything else had given me the desire to see service with some foreign nation where a stout arm had more value than a heart set on “paternosters” or psalm books.

In truth, though this trouble was partly of my own making, I had had enough of the merchant service. To go back to Tavistock was not to my liking; for though I had a taste for peace among men I had no stomach for a life of idleness. I had been bred by my father to the sights and smells of the sea, the voice of which was more grateful to my ears than the sounds of the wood-birds which had ever seemed to me mere shrill and noisy pipings. And though in no manner a brawler, a life of enterprise suited me mightily.

As I labored in this quandary, a hand was laid upon my shoulder and a rough voice at my side said heartily, “Why,--is not this Sydney Killigrew of Tavistock?” And turning I saw Master David Hooper, my father’s friend, who went as Master Commander in the last cruise of the _Great Harry_.

“None other, Captain Hooper!” said I, grasping with great joy his hairy fist. He held me off at arm’s length and looked at me carefully, noting my great stature with evident enjoyment.

“The very image of thy father--though, by my faith, thou’rt built upon a more sumptuous scale. But, lad, what’s wrong? You’ve the air of a farmer’s boy two days from land.”

And with that, after other exchanges of compliments, I told him how the world had gone with me; how our estates had fallen from bad to worse and how little chance there seemed of pursuing the calling upon the ocean I loved and wished for. He heard me through, tapping the while thoughtfully with his fingers upon the pier head.

“Come,” said he at length, “let us go to some place where we can discuss thy affairs at leisure.”

And he led the way from the dock up the street to the Pelican Inn, where seafaring men such as ourselves were wont to go for a pot or so of Master Martin Cockrem’s own brewing. Once seated there in the quiet window seat overlooking the Sound, he questioned me closely as to my disposition in religious and political affairs. Then finding that I was not averse to taking up a true life of adventure upon the sea, he unburdened himself of his own plans for the future.

“You know, lad, of the state of the Royal Navy. Nothing I can say will make you feel that the merchant service is secure from injury at foreign hands. _Great Harry_, the wonder of all Europe, lies rotting her ribs yonder, and there are no capable ships afloat. France would love well to see us all singing our _ave Marias_ and _salves_ in our deck watches, yet she has no love for the greed of Philip. So I say, lad, there is no present danger.”

“And yet,” said I, “our commerce has been reduced to less than fifty thousand tons.”

“Softly, boy. Our carrying may not be so great as in the days of Harry, but neither France nor Spain carry more. For our own brave fleet of gentlemen cruisers has made sad havoc of their barques on the ocean, and not a Papist ship dare show her nose within a dozen leagues of the Scilly Isles.”

“But these free ships have no warranty from the Queen.”

“Marry, lad, you’ve the wit of a babe scarce out of swaddling clouts. Can ye not see how the wind sits? The Queen knows well how much she needs these independent ships of war. For reasons of state she may not openly encourage our enterprises; but, laddie, I tell you she has a secret love for them. As for warranty, what more would ye have than that?”

And so saying, he put upon the bench between us a large parchment bearing the Great Seal of State. I scanned the document in an uncertain mood. For it set forth with many flourishes the rights “of one Master David Hooper to trade upon the oceans and to use his best endeavors to restrain by forcible or other means any enemies of Her Majesty from doing hurt or offering hindrance to any English persons or vessels on the high seas.”

“Why, then, Captain Hooper,” said I, “you are still in the Royal Service.”

“We are all in the service of the Queen, lad. This license guarantees nothing and is in fact, to ordinary eyes, but a license to trade; and yet is it not of greater worth than a royal commission as captain in a navy which does not exist? A license to trade! Ouns! and such a trade! Why, lad, what is your ship’s cargo of wool stuffs to an after-castle full of silver flagons and Spanish ducats--with a taste now and then of good Papist wine to clear the gunpowder from your throat? Let them prate. Their undoing will be the greater. I tell you, we gentlemen adventurers stand yet between Spain and the mastery of the seas. It may come to pass that one day they will try to cross the channel,--they will never land, lad. All this and more the young Queen knows well. For though she has a grievous way of looking displeasure at one minute, she has as happy a one of winking merrily the next.

“So it is, ye see, that Drinkwater, together with Cobham, Tremayne, Throgmorton, and others among us have survived both the prison and the noose and put to sea again with no greater loss than the proportion of the captured articles Her Majesty sees fit to take for the replenishment of the Treasury. This then is how the matter stands; so long as we masters may sail successfully, making no complications with France or the other countries to the north and east, Queen Bess wishes us a light voyage out and a heavy one home, and indeed delights in our tales of fortune, to which she is wont to listen with sparkling eyes. The bolder the deeds the better they are to her liking.”

I listened to this secret of state with eyes agog. Master Hooper paused in his talk long enough to drain his pot, which he set down abruptly upon the table.

“Come, Sydney,” said he with a smile, and stretching both hands toward me, “what say ye to a voyage with David Hooper for a shipmate, in a bottom staunch from batts-end to keelson, the wind and seas for servants, and never a doubt but that to-morrow will be better than yesterday! Or perhaps the gruntings of the swine at Tavistock hold newer charms? What say ye?”

Were it in my mind to debate upon an immediate answer, the mention of the pigs at Tavistock had done more to remove that uncertainty than aught else the gallant captain might have said. So I told him that his proposition was much to my liking, and, could I be of service, the swine at Tavistock might be larded for a lout with better land-legs and stomach than I.

Thus it was that I came to be the third in command of the _Great Griffin_ on her fourth voyage out of Plymouth.

OF THE TAKING OF THE CRISTOBAL.

Like many other English ships engaged in private enterprises at this time, the _Great Griffin_ was of no great bulk, having a tonnage of but a little more than three hundred. Nor had she the great after-castles and fore-castles of the Spanish galleons; but her bulwarks were stoutly built, and high enough to give such protection against the arrows and small pieces of the enemy as might be necessary to those who handled the tier of eighteen and twenty-pounders on the main deck. The after-castle, or poop as it had come to be called, was raised but one deck, and here again were mounted several patereros of modern fashion for use at short distances. The guns being all mounted upon the upper deck, made open ports below of no necessity; and so, even in rough weather, all of her ordnance could be brought to bear. The company was made up of merchant sailors and coasters,--taken altogether a hardy lot, yet gentle and quite unlike the reports of them which had reached our ears from the mouths of the Spaniards. The _Griffin_ had three tall masts, and upon them were set sails patterned after the wonderful new invention of Master Fletcher of Rye. For the spars, in lieu of being made fast athwart the ship, so set to the masts as to lay forward and aft, it being thus possible by the hauling upon certain tackles to shift the sails from the one side to the other with great speed and small exertion. This invention permitted the ship to perform the strange feat of sailing almost directly into the wind, and allowed great advantages in getting to windward of larger ships. Though I had seen ships of this fashion in the Channel, never before had I sailed in one of them; so the easy manner of working and the simpleness of the rigging and tackling gave me a great pleasure.

Standing on the after deck and looking forward one could note the strong lines of the barque. For, unburdened by the tophamper of the galleons, the bulwarks, barring the break at the fore-castle, took a graceful curve and met above the bed of the bowsprit, which made into the head where it was solidly bolted to the deck below. At the forward part of the fore-castle was mounted a great head of a dragon, with yawning mouth and wide eyes that looked over the waters ahead as though in search of its rightful quarry.

As I looked aloft and saw the new sails yellow and purple in the morning sun, big-bellied under the stress of a fine breeze from the east, the stays to windward taut as iron bars, the fellow at the helm leaning well to the slant of the deck, methought I had never seen so splendid a sight, and thankful was to I be alive and able to enjoy the beauty of it. The freshening breeze piled up the waters, and the green of the curl topped by its filmy cloud lifted itself to be caught in a trice and carried down the wind against the broad bows of the ship, or indeed at times, over the bulwarks, singing as it flew a mellow song more pleasing to my ears than any other earthly melody.

Master Hooper, by reason of his previous service, maintained to a high degree the discipline of the old navy; and the company of the _Great Griffin_ was thus unlike those of many of the free sailers of the time, which for the most part were composed of men who had used the sea in various ways but had no knowledge of the customs aboard regular ships of war. To gain that knowledge the men of the _Griffin_ were each day exercised at the guns and were practised in the use of the sword and pike, while the bowmen and arquebusiers had targets set upon the fore-castle which they shot at from the poop with great speed and nice judgment. The pikemen and swordsmen had a proficiency I never saw equaled in France or in Spain; and Master Hooper--they called him “Davy Devil”--had an exercise which he called the fire practise, which more than aught else showed his ingenuity in providing against panic or mishap. Two years before, a large part of the company had rebelled against the second in command, who had caused one of their number to be strung up at the mast by the thumbs. Captain Hooper being ashore at the time, matters might have gone badly with the officer, had not a messenger been immediately despatched to the inn where he was stopping. Then came Master Hooper in great haste and caused the alarum of fire to be sounded. So nice had been his discipline that each man went to his appointed place, waiting there until Master Hooper appeared upon the poop and gave them a round speech upon the quality of obedience as practised in the navy of Henry the Great; to the end that, there being no fire to quench, they quenched themselves and went about their several duties.

On the morning of the second day from Plymouth we sighted a sail to the south, and discovered her to be a crumster of New Castle, bearing French Protestants from Havre to Bordeaux. The Captain, Master Tremayne, related a sad tale of the manner in which several persons who should have gone with him were taken by the officers of the Inquisition at Havre, as they were about to make their escape to his vessel.

The martial spirit of Master Hooper had done much to shake the serenity of the merchant life out of me, and the sight of several gentlewomen below decks aboard the crumster, with the pink rings of the manacles and the red scars of the fire still upon them, so inflamed me that I vowed no feeling of charity should stand between me and the duties of justice. Captain Tremayne also told us that during the night he had run afoul of a Spanish vessel of large size, who had hailed him and was in the act of sending boats aboard when a fog fell and he had pulled away under its friendly cover. After some further parley Captain Hooper set sail on the _Griffin_ and steered boldly to the south, hoping thus to sight this Spanish sail during the afternoon; and true enough, in the first watch a large ship was made out under topsails and spritsail, standing for the coast of France. Upon sighting us the stranger hove about and took a course which the _Great Griffin_ must cross in an hour or so.

Master Hooper, not knowing the strength of the ship and wishing to draw her further from the coast where Spanish cruisers in great numbers lay in wait for Huguenot vessels, put up his helm and stood off. The wind however blowing smartly, he soon found the _Griffin_ to be drawing away from the stranger, who was laboring heavily in the great seas. In order therefore to slacken our pace without attracting notice, Master Hooper caused one of the spare mainsails to be lowered over the stern. So soon as this sail touched the water the speed of the _Griffin_ caused it to fill and act as a drag which notably diminished our rate.

The Spaniard, for such the vessel now appeared, began drawing up, until in the course of an hour or so we could mark his tiers of guns as they frowned out over the water to windward. So light was our top hamper and so steady was the drag astern that we appeared to toss but little in the seas. But the Spaniard yawed and rolled in so frightful a manner that the sails at times seemed hardly to be restrained by their sheets, and flapped so noisily that they boomed like long cannon. She went over at so great an angle that her decks and castles crowded with the men at the guns were plainly to be seen.

The narrator’s first words—“Then I left her”—plunge the reader into a story already in motion, a technique that immediately establishes a sense of urgency and unresolved attachment. The opening chapter, “Of my Meeting with Master Hooper,” introduces a first-person voice that is both retrospective and immediate, hinting at a quest that will span oceans. The author’s note, which follows, grounds the fiction in documented history: Gibbs cites Hakluyt, Laudonnière, and Parkman, and names real figures like Jean Ribault and Menendez. This blend of archival care and invented characters—especially the elusive Mademoiselle—creates a framework where the reader must navigate between known events and imagined lives.

A Voice Shaped by the Sea and the Sword

The narrator’s language is salted with nautical and martial terms: “manacled,” “withes,” “morion,” “poniard.” His observations are tactile and immediate—he notes the “light flicker upon the breastpiece of the guard” and the “yellow ghost of the sentinel.” This sensory precision, drawn from the excerpts, suggests a protagonist who reads his environment for signs of danger or deliverance. The voice is not omniscient; it is limited, often uncertain: “I could not hear the rest of what he said.” This restraint keeps the reader close to the narrator’s experience, sharing his ignorance and his hopes.

Historical Figures as Living Menace

Gibbs places his invented characters alongside historical actors without fanfare. In the excerpts, Menendez de Avilés appears “in a costly suit of black velvet,” prodding the narrator with a cane and speaking of fattening captives. The Spanish captain De Baçan, also historical, is given a sardonic line: “this man has as many lives as a cat.” These figures are not mere cameos; they drive the plot. The narrator’s fate is tied to their whims, and the reader, like the narrator, must gauge the sincerity of Menendez’s mock mercy. The excerpts do not reveal the outcome, leaving the historical record—Menendez’s known brutality—to color every interaction.

The Unseen Mademoiselle as Narrative Engine

Though the title promises a search, the excerpts offer only glimpses of Mademoiselle: a memory of her balancing a poniard, a fear that she might be dead, a refusal to ask the guards about her. She is a presence felt through absence. The narrator’s thoughts circle back to her even in captivity: “I could not believe that I was to die as he had intended—before Mademoiselle.” This refrain gives the physical journey a romantic and psychological dimension. The reader, like the narrator, must piece together her significance from fragments—a technique that sustains suspense across the novel’s 91,000 words.

Captivity and the Rhythm of Cruelty

The later excerpts depict a grim routine: prisoners are “fattened like fowls,” taunted by soldiers, and marched daily to keep their blood circulating. The narrator’s tone shifts from despair to a grim humor—“I bore these taunts in rare good humor, for I was stretching my limbs.” This resilience is undercut by the knowledge that other prisoners have been taken away, presumably to their deaths. The setting—the Lodge of Seloy—becomes a stage for psychological torment. The guard with the “great black beard” is a cipher, a face held in shadow. These details, drawn from the text, build a world where survival depends on reading the moods of captors and the omens of the Florida wilderness.

The Geography of a Divided Land

The excerpts move between the Spanish camp at San Augustin and the French Fort Caroline, renamed San Mateo after its capture. This shifting geography mirrors the colonial struggle that Gibbs foregrounds in his note. The narrator is an Englishman caught between French and Spanish factions, a position that offers a unique vantage point. The reader, following his journey, encounters the Florida coast not as a backdrop but as a contested space, where every sand-spit and lodge carries the weight of imperial ambition. The excerpts do not resolve the conflict, but they map its human cost in precise, physical terms.

Reading In Search of Mademoiselle with attention to the excerpts reveals a novel that trusts its readers to navigate between historical fact and romantic invention. The narrator’s limited perspective, the looming presence of real conquistadors, and the elusive Mademoiselle all reward careful attention to language and detail. Approach the text as a puzzle box: each chapter may unlock a new piece of the past, but the full picture remains tantalizingly out of reach until the final page.

Reading the editorial notes on Gibbs's wilderness, with its quiet tension between hope and despair, I kept thinking of another story where a single voice shapes everything. There is something in the narrator’s measured uncertainty that reminds me of Melville’s Billy, that same fragile trust against a harsher world. It’s a strange companionship, but a real one, found late at night on a porch. I found myself setting them side by side, gently, almost by accident. Billy Budd — A Reader’s Guide felt like a quiet echo of that same solemn light.

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