Over the straits — A Reader’s Guide

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In Category - Sea Voyages
Haycox, Ernest, 1899-1950 Project Gutenberg 2025 Not confirmed
Short stories; Sea stories; Alaska -- Fiction; Seafaring life -- Fiction; Storms -- Fiction Readers of public-domain and historical texts
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Words 6,691
Reading time 30 min
Text sections 1

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Ernest Haycox's 1923 story follows a cannery tender's perilous crossing of Alaskan straits during a gale, using laconic dialogue and understated heroism to depict a crew's decision to risk a storm for a cargo of salmon.
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dian tribes in the Northwest, it seems, under General Miles, when a young buck of eighteen, and somehow, now at the other end of the cycle, the lure had returned to him and he had taken to the water. This was his first sea job.

“Gwine ter be rough, I reckon, heh? Well, let ’er come--_yerroo-oop_!” He let out a wild war whoop. Suddenly he made a grab for the coffeepot which rocked wildly on the stove. We were weaving in and out of the protecting islands between the straits and the channel.

“Yeroop, yourself,” I said, hastily gulping down my coffee and making for the door. “You’ll be using worse language than that in a mighty short space of time.”

“Heh! Git out of my kitchen!”

It was growing dark when I retook the wheel. Overhead the sky was a mottled gray-black. The wind was beginning to sing through our mast and rigging. On either side were the blurred outlines of the islands we were hugging. In another few minutes they would be behind us, and we would be out in the straits bucking a wind that hit us on our port quarter.

The waves were running higher now, and the boat began to pitch and roll. Ahead I could faintly make out the jagged, angry outlines of the sea. The crew had scattered. Al was down by his precious engines and Charlie had gone with him. Milt and Ed were sitting on the bench behind me. In the gloom I could make out the glow of their cigarettes, reflected in the windowpanes. Bob, beside me, was peering intently through the fogged glass.

Crash! Our bow shot up suddenly as if some giant hand down in the depths had punched it. For an instant we hung there, then the sea dropped away and we lunged down into a deep gray gulley and rolled dizzily on our side; a thick, twisting wall of water crashed down on our foredeck with a jarring, smashing impact and dashed up against the front of the pilot house.

I braced myself on a cleat, hung to the wheel, and twisted it sharply to get back into the wind. Bob slipped and seized the handrail. Behind me I heard the thud of two soft bodies hitting the floor, and from the galley came the crash and clatter of pans and dishes, mixed with the shrill treble curses of Dad.

We were out in the straits.

“What’s your course now, Hal?” asked Bob, face glued straight ahead.

I switched on the binnacle light and peered into our Standard Navy compass. It was a large thing, too large for our boat; for, like a rat terrier, we pitched and plunged, rocked and rolled, with short, choppy motions, while our instrument was fitted for a larger ship that rolled and swung with a slow wallow. I watched the card recover from a long, deliberate swing and estimated its arc.

“About north, a quarter east,” I answered. “But she’s swinging too slow to be accurate.”

“Ease her off to starboard a little more. We’re headin’ way below Morey Light now.”

The wind, hurling itself through Dixon’s Entrance, fifteen miles below, came sweeping, tearing up the straits. We were right in the teeth of it. The singing in our mast changed to a low, ominous moan, mounted higher, broke into a screech, then still higher, higher, into an insistent, piercing shriek.

“Did we tighten up that front stay last time we was in?”

The front stay is one of the four wires supporting the mast. It runs from the top of the pole down to the bowsprit, where it is clamped. Often the clamps work loose, allowing the wire to swing slackly, rendering it easier for the pole to break under stress.

There was a moment’s silence. “Nope, we didn’t.”

“An’ them clamps was loose, too.”

“Yep,” came the succinct answer. Bob hadn’t moved an inch from the window in the last quarter of an hour.

“If it breaks loose----”

Another dizzy roll, sending us far to the side, interrupted the sentence. The shriek of the wind crept up a note. I could just make out, directly in front of us, the twisting, contorting water. Now it would pile up to a sharp peak and the jagged edges would be whipped off by the wind, driving against the front of the pilot house with the sharp rattle of machine-gun bullets. Now we would meet a huge wave head on and the boat would stagger back while the spray went flying high in the air. Now we went plunging into a trough with the sickening drop of an express elevator, while the foredeck completely disappeared from sight, buried under the seething, boiling eddies of water. Then we would labor to the surface in time to meet another onslaught.

We were struck from the side and went reeling, careening over with our bottom half out of water and the runway on our under side completely submerged. I clutched the wheel tightly to keep from going smashing against the wall, while time and again Bob hung suspended, head and shoulders over me, for a long breathless instant, his body standing out in shadowy silhouette against the side windows. Then we righted ourselves, shipping a load of water that went sweeping, sliding over the deck and came spurting into the wheelhouse, under the doorsill. Now and then we would stand on our stern, bow completely out of water, like an angry bear on its haunches, and the next instant we would be slammed violently against the front of the house, stern boosted up, nose deeply buried, while I twirled the wheel vainly and prayed for a speedy recovery.

“Must be wilder’n all-get-up outside the islands,” remarked Ed, as we went hurtling down into a giant hollow.

“Must be,” returned Bob, eyes glued to the pane. “Good blow here in the straits.” We came out of the trough with a leap--high into the air we went.

“Wish I had a good hot cup of coffee,” I said after a century or so.

“Huh! There ain’t nothin’ stickin’ to that stove ’ceptin’ th’ polish. Chew of t’bacco help?”

I could hear nothing from the kitchen; evidently there wasn’t anything left to fall from the shelves.

We were struck sharply on the port side--another heavy impact from the front--and over we went. Over, over--I clutched the wheel tensely and tried to take a spoke. The water came spurting through the cracks of the door. It seemed as if Bob’s whole body was suspended over me, motionless. Some fragmentary recollection of a hanging sword came to me. An eternity we hung there, then slowly, slowly came back.

Ed stirred. “Bad one.” It sounded more like a whistle than an articulation of words.

I heard the trapdoor open and some one struggle through, then a long, lurid, wind-swept string of oaths. “An’ ef I ever gits off’n this here lame-halted critter I’m going to reetire fer th’ rest of my life in th’ mountings.”

“Yeroop,” said I in a very mediocre imitation of a war whoop. I’m not very good on war whoops.

Unk! Bang! I heard all three men go crashing down against the wall. We were thrown high into the air, stern down.

“Say,” spoke up Ed, suddenly. “If our seine table should be jarred off’n its rollers it’d go overboard in about ten seconds.” Our fifteen-hundred-foot seine rested on a revolving table on the stern, with nothing to hold it down but its own weight.

Barnes shifted his gaze for the first time. “Ed, if we lose that net we’ll go to hell in a handbasket. That’s all’s helping us to ride this blow.”

“Can’t pitch much worse. We’re rollin’ our tail off now.”

“That table should have been lashed.”

“What’re you goin’ t’ lash it to? Hain’t nothin’ there.”

“We might have passed a line around it and back to the towbitts. That would have held it some.”

“Only trouble is in getting back there,” continued Bob. “That deck ain’t out of water ten seconds at a stretch.”

“Where’s that half inch rope we had?” Ed asked suddenly.

“In the chest you’re setting on.”

I heard him fumble about.

“What’re you going to do?” asked Bob.

“Tie it around me--you’n Milt hang to th’ other end and pay it out as I go. I’ll try to get back there by hangin’ to the guard rail. Pull her in when I holler.”

“Won’t hear you--too much noise.”

“Well, keep your eyes peeled.”

“Well, dang it, use your judgment!”

We lurched over on our side and he had to wait a minute or so before daring to open the door.

“Any relations you want me to notify?” I asked, spinning a useless wheel.

“Go to----” the rest of it was lost in a hurricane of wind, noise, and salt water that tore in as he opened the door. It literally blew him backward. He caught himself, tried again, got outside, then we lost him in the angry blackness. Bob and Milt paid out the rope slowly, both hanging to the handrail and braced against the door to hold it partly open.

Again we shot up into the air, hung, and slid drunkenly back into a black abyss. The two men pulled frantically at the rope, dragging Ed back by main force, jerking him inside, and slamming the door just as a huge mountain came crowding, spilling over our side.

“No use, can’t be done,” panted Ed. I could hear the water cascade from his clothes.

It was absolutely dark now. We were in a vast empire of blackness, filled with millions of weird, screaming voices.

Suddenly I heard, in the rhythmical throb of the engines below me, a catch, a cylinder missed fire, coughed, and caught the rhythm once again. In that moment my heart lost a beat, and I know I must have cried out some unintelligible thing to the gloom.

To be buffeted about in a vast inky inferno of tumult, not knowing where one is, not knowing what reef is ahead of one, not knowing what the next wave will do, not knowing when some part of the rigging will break, is a trying situation. Yet the powerful, sturdy engines are driving on and on, fighting the waves blow for blow, keeping the boat in the face of the wind, pushing forward toward a calm harbor, foot by foot. And from that dogged persistence men take courage. But when they stop, the only weapon against the elements gone, something sinks and dies out in a man’s heart.

There is always a lurking fear in the mind of those who go out to sea in gas boats that they may develop engine trouble, in bad weather. Gas engines are not the most dependable means of locomotion.

The gloom was beginning to stifle me. My nerves were on edge. I checked a panicky impulse to swing the wheel hard over to where I thought land ought to be. I was beginning to doubt the compass. Back of me I heard the clock sound eight bells, twelve o’clock, midnight. We had been out six hours on a trip that ordinarily took two, and hadn’t yet picked up the far-away glimmer of the beacon that marked out the entrance into calmer, quieter waters.

Bob was peering into the sweeping, whistling, shrieking blackness.

“North, a quarter east, about.”

He moved impatiently. “Ought to have picked up Morey Light long ago.”

“Don’t suppose the dang thing’s still on the bum, do you?” queried Ed, groping his way forward and wiping clear a place on the foggy pane.

Morey Rock Light had been out of order for a month or more and we had constantly notified the superintendent of the Light Service at Ketchikan about it.

“Shouldn’t be. We sure are out of luck if it is. Blow’s taken us ’way off our course; must be somewhere near Kiegan’s Chuck. If we can’t pick up that Light we’ll have to beat up and down here all night--and take our chances.”

Both men pressed their faces against the windowpanes.

I swung the wheel to port after coming out of a trough and tried to force all my energy into one intense gaze that would bore a hole through the blackness. But my eyes were tired and the lids burned in an irritating fashion. My arms were bruised and sore. With each successive pitch and roll of the boat my weary leg muscles responded less readily. I was tired, so darned tired! With a supreme effort I nursed the spokes over and dug my feet into the deck cleats as we made another sickening, dizzy sideward roll. Then through half consciousness I heard a voice close to me.

“Hell, Hal, I plumb fergot. You been wrassling that wheel for six hours.” Ed grasped the spokes. “Lemme have it. You better see if you can’t grab off a couple of winks.”

I came out of a doze, pried stiff, cramped fingers loose from the wooden spokes and lurched, stumbled backward, feeling for the bench. I steered around it, crouched down on the wet floor, braced my back against the bench and my feet against the wall. A long roll swung the boat over again until I was lying almost on my back, feet high in the air. Suddenly I didn’t care a hang if the boat floated or sank. Too tired. But before I went to sleep a satisfying thought came to me. Outside the cabin nature had let loose all the violent elements in her box of tricks, all against this little boat pitching and tossing drunkenly on a sea of monstrous ridges and abysmal valleys, zigzagging crazily through a night as black as the pit, rolling and heeling to a wind that ripped up oceans; while inside the pilot house, an insignificant cell of quietness in all this riot of fury and noise, seven pigmies stared through flimsy glass windows and defied all the combined efforts of the elements of turmoil. The last words I heard were:

“Now where in _hell_ is that Light?”

It was a boat with an exceedingly clean deck that came chugging into Cannery Inlet about eight in the morning, a boat with a crew one third awake. We scraped four pilings and crashed through a rowboat float before docking at the fish conveyor. We heard exclamations of wonder as we threw out our lines. About us we could see traces of last night’s storm on the beach, even in this haven.

“Gosh, man! You didn’t come across in _that_ storm?”

Bob lit his pipe and turned a sleep-laden face to the inquirer, the cannery owner. Then he climbed into his bunk, clothes, boots, pipe and all.

“_Unhuh._ Li’l bit rough.” And he dropped off to sleep in the man’s face.

Back in the galley I could hear the old cook making breakfast to the tune of an exceedingly ribald old song:

“Oh, were yez ever in an Irishman’s shanty, Where money was scarce and whisky waz planty----”

The owner turned to the rest of the group. “But wasn’t it rough?”

“Oh, it blowed some,” said Ed, making for his bunk in the fo’c’s’lehead.

“Rather rough,” added Milt, which was his second statement since leaving Ketchikan the night before.

Charlie, fat, bald, and German, smiled wisely and made for the kitchen, from which came the odor of fried ham.

“Um,” said I, trying to straddle the fence. I would like to have enlarged on that trip. I felt it deserved grander treatment. It needed an epic strophe and sonorous epithets. But how could a blasé old sea dog of twenty-one do so without losing caste? I followed Charlie into the galley for breakfast.

[Transcriber’s Note: This story appeared in the January 5, 1923 issue of _Sea Stories Magazine_.]

Ernest Haycox opens "Over the Straits" with a blunt calculation: fifteen thousand Sockeye salmon, worth forty cents apiece, must reach the cannery within ten hours or sour. The crew of the cannery tender Star weighs this against a fifty-mile gale. The story's voice is established immediately through the city marshal's advice—"no time for a consumptive-engined, barnacle-encrusted cannery tender"—and the crew's terse exchange. Each man's response reveals character: Ed Fraser emphasizes his statement by biting off a plug of tobacco; Al, the engineer, declares he'd "just as soon drown as be on the same boat with sour fish." The narrator, Hal, tries to look judicial while stroking his three-month beard. The decision to sail is made not through dramatic speeches but through practical questions about the engine and fuel.

Laconic Dialogue and Understatement

Haycox builds tension through what the crew does not say. When the cannery owner asks if the crossing was rough, Bob answers "Unhuh. Li'l bit rough" before falling asleep in the man's face. Milt, who had earlier called the weather "rather rough," repeats the same phrase the next morning. Ed says only "Oh, it blowed some." The narrator, Hal, admits he would have liked to enlarge on the trip—"It needed an epic strophe and sonorous epithets"—but fears losing caste as a "blasé old sea dog of twenty-one." This self-aware restraint is the story's central stylistic device: the crew's understatement becomes a marker of competence and a source of quiet humor.

The Boat as a Character

The Star is described with precise, unflattering detail: an eighty-horsepower, seventy-foot purse-seine boat, "consumptive-engined" and "barnacle-encrusted," smelling "strong enough to float a battleship." Haycox does not romanticize the vessel. Instead, he emphasizes its fragility—the engine's carburetor has been unreliable, and the hull is encrusted with barnacles that slow its speed. The boat's condition makes the crew's decision to cross the straits more pointed. Inside the pilot house, described as "an insignificant cell of quietness," seven men "stared through flimsy glass windows and defied all the combined efforts of the elements." The contrast between the frail boat and the storm's violence is drawn without exaggeration.

The Storm as a Physical Ordeal

Haycox conveys the storm through physical sensation rather than panoramic description. Hal, exhausted after six hours at the wheel, "pried stiff, cramped fingers loose from the wooden spokes" and "lurched, stumbled backward" to the bench. He sleeps on the wet floor, braced against the wall, and is rolled "almost on his back, feet high in the air." The storm is felt in the body: the narrator's fatigue is so profound that he "didn't care a hang if the boat floated or sank." The external chaos is rendered through the internal experience of the crew, making the danger immediate and personal. The only visual detail of the sea is a brief reference to "monstrous ridges and abysmal valleys" and a night "as black as the pit."

The Crew's Hierarchy and Humor

Haycox distinguishes the seven crew members through their speech and actions. Bob, the skipper, makes the final call. Ed Fraser chews tobacco and takes the wheel without complaint. Al, the engineer, is blunt. Charlie, the German, "scarcely ever said anything" because "it took too long to talk." Milt, the mining magnate's son, speaks only twice. The narrator, Hal, is the most self-aware, caught between wanting to dramatize the voyage and maintaining the crew's code of understatement. The story ends with the cook singing a ribald song in the galley, a note of ordinary life resuming after the ordeal. The final line—"I followed Charlie into the galley for breakfast"—returns the narrative to the mundane, undercutting any heroic pretension.

Haycox's story is best read as a character study in collective decision-making under pressure, told through the rhythms of working speech. The narrator's occasional self-mockery—"a blasé old sea dog of twenty-one"—invites the reader to question the crew's stoicism even as it is performed. Pay attention to what is left unsaid: the gaps in dialogue, the repeated phrases, the silences of Charlie and Milt. The storm itself is less important than how the men talk about it afterward. This is a story about the performance of competence, and the gap between experience and its telling.

I keep thinking about that cannery tender grinding into the gale, how they chose the storm without a word of fuss. It reminds me of another quiet collection, The Belted Seas — Themes and Context, where the water holds the same sort of stubborn, unsaid weight. Some crossings stay with you longer than the cargo ever did.

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  • ...
    Carolyn Becky Cruz - 4 weeks ago
    Over The Straits fails to live up to its promising premise. The storyline feels clichéd, with predictable twists and underdeveloped supporting characters. The author spends too much time on tedious descriptions of the sea, while the actual conflict is resolved too quickly and without much tension. The ending seems rushed and leaves several plot threads hanging. Disappointing given the potential.

  • ...
    Andrew Turner - 3 weeks ago
    Over The Straits offers a solid seafaring tale with a decent plot and credible characters. The pacing is generally good, though some sections in the middle drag slightly. The historical details add authenticity, but a few nautical terms might confuse casual readers. Still, it's an enjoyable read for fans of the genre and those who appreciate a well-researched maritime story.

  • ...
    Erika Barr - 1 week ago
    Over The Straits is a gripping maritime adventure that kept me on the edge of my seat. The author's vivid descriptions of the sea and the tension of navigating treacherous waters are masterfully done. The characters are well-developed, and the plot twists are unexpected yet believable. This is a must-read for anyone who loves nautical fiction. I couldn't put it down and finished it in two sittings!


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